Oct 25, 2015 · Question : Which of the following is the best description of auteur theory? Student Answer: The theory that the producer is the author of a film The theory that the director is the author of a film The theory that the screenwriter and the director co- author a film The theory that there is no true author of a film.
Question : Which of the following is the best description of auteur theory? Student Answer: The theory that the producer is the author of a film The theory that the director is the author of a film The theory that the screenwriter and the director co …
Sep 25, 2015 · Points Received: 1 of 1 Comments: Question 6.Question : Which of the following is the best description of auteur theory? Student Answer: …
---Auteur theory is the idea that a director is the auther and primary creative force behind a movie . ---At first it seems strange to call the director of the film the author. At much every one depend on the quality of a script the and product of a movie a result of exicution. 2.
Auteur Theory is the idea that the director is the author and primary creative force behind a movie. At first, it seems strange to call the director of the film the "author.".
Auteur theory comes from a French publication in 1954 of Cahiers du Cinema. Cahiers definition is "book", or "notebook". The title loosely translates as "notes on cinema.". The publication had been around since 1951.
When Andrew Sarris took the auteur theory to the next level, he laid out three basic rules: 1. Basic Competency. "A great director has to at least be a good director. ". Which is to say that the director's movies must be technically competent.
Jaws in 1975 and Star Wars in 1977 showed Hollywood a better way to make money. Auteur theory changed the way people think of directors and movies. It went to some extremes at times, but the fundamental notion that a filmmaker is an artist comes directly from auteur theory.
While the auteur definition in french is literally “author ”, in the dictionary it now reads: “An auteur is a filmmaker whose individual style and complete control over all elements of production give a film its personal and unique stamp.”.
Auteur theory came in the early 1950’s, and it changed all that. It shifted some power away from actors, producers, and studio moguls. It shifted power towards directors. Towards specific types of directors. And it ultimately led to a kind of director-crisis.
Studios started handing these auteurs huge budgets, and some of the results were catastrophic. After The Deer Hunter director Michael Cimino got a blank check from United Artists. The auteur theory was starting to pay big. But Cimino's attention to detail left the production in ruin.