Sep 28, 2003 · Many composers reacted to the Post-Romantic and Impressionist styles and moved in quite different directions. The single most important moment in defining the course of music throughout the century was the widespread break with traditional tonality, effected in diverse ways by different composers in the first decade of the century.
Oct 13, 2021 · National Music. Antonin Dvorak was a highly successful nationalist composer in his homeland of Bohemia. Bohemia was a region of Eastern Europe that is now part of the Czech Republic. Along with ...
According to our Campbell; reading, with few exceptions most women musicians of the Arabian peninsula sing. ... all of the above (the theme of the ballet, his orchestration, and the representative role of some of the musical instruments, the melodic contour and dynamics of the work) ... Which fil composer uses a musical style based on European ...
Composers of the early 20th century exhibited a heightened awareness of tone color. One composer created a piece entitled Six Pieces for Orchestra in which he calls for an enormous orchestra, but only rarely uses these forces simultaneously. Instead, he focuses on solo instruments or small combinations of instruments.
Hamilton: An American Musical is a sung-and-rapped-through musical by Lin-Manuel Miranda. It tells the story of American Founding Father Alexander Hamilton....Hamilton (musical)HamiltonMusicLin-Manuel MirandaLyricsLin-Manuel MirandaBookLin-Manuel MirandaBasisAlexander Hamilton by Ron Chernow5 more rows
What is the first concept musical? This style of plot-based “integrated” show represented the image of the modern musical by the 1940s. Then, in 1947, Rodgers and Hammerstein created another historic show, Allegro, which is widely regarded as the first “concept musical.”Oct 14, 2021
I realized during this, my third visit to Phantom, that this show is as much a concept musical as any of director Harold Prince's more respected collaborations with Stephen Sondheim: it's an opera about the world of opera, a world of grand illusions that terrorize and then destroy its gloriously mad hero.Oct 27, 1999
The definition of a musical play is a theater production with many songs and dances that provide the story. An example of a musical play is Hairspray.
The form began to flourish in the late 1960s, with the advent and subsequent popularity of Man of La Mancha, Cabaret, and Hair. Stephen Sondheim, the most prolific author of concept musicals, created Company in 1970, bringing the genre to the forefront of the commercial realm.
In shows such as Love Life, Cabaret, and Company, the concept musical works to deploy the pleasures of musical theatre against themselves so as to implicate the spectator in the thematic concerns of the play.Dec 23, 2020
Andrew Lloyd WebberThe Phantom of the Opera / ComposerAndrew Lloyd Webber, Baron Lloyd-Webber, Kt is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 21 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. Wikipedia
Gaston LerouxThe Phantom of the Opera / AuthorGaston Leroux (1868-1927) was a French writer best known for his novel The Phantom of the Opera. Born in Paris, Leroux initially worked as a critic and court reporter for the newspapers L'Écho de Paris and Le Matin.
Michael CrawfordOriginal castsCharacterOriginal West End castOriginal Broadway castThe Phantom of the OperaMichael CrawfordChristine DaaéSarah Brightman Claire Moore†Sarah Brightman Patti Cohenour†Raoul, Vicomte de ChagnySteve BartonCarlotta GuidicelliRosemary AsheJudy Kaye4 more rows
Stephen Sondheim wrote the music and lyrics for Saturday Night (1954), A Funny Thing Happened On The Way To The Forum (1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973), The Frogs (1974), Pacific Overtures (1976), Sweeney Todd (1979), Merrily We Roll Along (1981), Sunday In ...
When Company was first staged in 1970 it broke new ground. It was billed as a "concept musical," abandoning traditional narrative and verse-verse-chorus structures in favour of a looser, more fluid logic.Sep 10, 2015
Ludwig van BeethovenLudwig van Beethoven (1770-1827) was a powerful influence on most European composers of this era, although their response to him varied significantly. He represents an important bridge between the Classical and Romantic styles.
Webern wrote works using a rigorous twelve-tone method and influenced the development of total serialism. Berg, like Schoenberg, employed twelve-tone technique within a late-romantic or post-romantic style ( Violin Concerto, which quotes a Bach Choral and uses Classical form).
In the 1940s and 50s composers, notably Pierre Schaeffer, started to explore the application of technology to music in musique concrète. The term electroacoustic music was later coined to include all forms of music involving magnetic tape, computers, synthesizers, multimedia, and other electronic devices and techniques.
Main article: Neoclassicism (music) Neoclassicism was a style cultivated between the two world wars, which sought to revive the balanced forms and clearly perceptible thematic processes of the 17th and 18th centuries, in a repudiation of what were seen as exaggerated gestures and formlessness of late Romanticism.
At the end of the 19th century (often called the Fin de siècle ), the Romantic style was starting to break apart, moving along various parallel courses, such as Impressionism and Post-romanticism. In the 20th century, the different styles that emerged from the music of the previous century influenced composers to follow new trends, sometimes as a reaction to that music, sometimes as an extension of it, and both trends co-existed well into the 20th century. The former trends, such as Expressionism are discussed later.
At the turn of the century, music was characteristically late Romantic in style. Composers such as Gustav Mahler, Richard Strauss and Jean Sibelius were pushing the bounds of post-Romantic symphonic writing. At the same time, the Impressionist movement, spearheaded by Claude Debussy, was being developed in France. Debussy in fact loathed the term Impressionism: "I am trying to do 'something different—in a way realities—what the imbeciles call 'impressionism' is a term which is as poorly used as possible, particularly by art critics" ( Politoske and Martin 1988, 419). Maurice Ravel 's music, also often labelled as impressionist, explores music in many styles not always related to it (see the discussion on Neoclassicism, below).
From Wikipedia, the free encyclopedia. 20th-century classical music describes art music that was written nominally from 1901 to 2000, inclusive. Musical style diverged during the 20th century as it never had previously. Consequently, this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to ...
When the source material was acoustical sounds from the everyday world, the term musique concrète was used; when the sounds were produced by electronic generators, it was designated electronic music. After the 1950s, the term "electronic music" came to be used for both types.
Music has been an effective way to inspire patriotic sentiments for centuries and another tool romantic composers used was to breathe new life into existing patriotic songs by turning them into art music, fit for the concert hall.
Bohemia was a region of Eastern Europe that is now part of the Czech Republic. Along with other eastern and southern European regions, Bohemia was an ethnically Slavic territory and, as a Slav, Dvorak decided to write music that commemorated Slavic national heritage.
Musical nationalism is the term used to describe art music that was created with the intention to promote nationalism or help inspire patriotic sentiments. The 19th century, also know as the Romantic Era, was a turbulent political time in the Western world. Much of the European continent, including Germany and parts of Eastern Europe was ...
Nationalism was a popular sentiment during the Romantic era and appeared in all art forms of the day, including music. This lesson will introduce you to some of the biggest nationalist composers of the Romantic era. Create an account.
Nationalistic music was created with the intention to promote national political agendas and help inspire patriotic sentiments . Some composers, like Clara Schumann, wrote overtly political music to reflect the then-current political climate, like her revolutionary anthem, 'Vorwarts!'.
Other modern day countries, like Italy and Germany, were fragmented into a number of smaller city-states. The French and American revolutions of the previous century helped to inspire other countries to fight for their independence from foreign governments or to unify under a single national identity.
Overtly Political Music. It was 1848. Composer Robert Schumann was turning 38 years old and his wife, Clara, decided to surprise him with a birthday present. At the time, Germany was divided into independent states, each ruled by a different monarch.
musical instruments: harpsichord (also called the virginal), clavichord, lute, viola da gamba family (also. called viols), recorders, cornetto, shawm, sackbut.
chords: three or more pitches sounding simultaneously. triads: three notes that can be arranged into superimposed thirds. extended chords: thirds added above the triad, usually as a 9th, 11th or 13th. consonance: a harmonic combination that is stable, usually in thirds.
Releated to timbre: classifications of instruments. chordophone: string instruments. aerophones: wind produces the sound (woodwinds and brass instruments) membranophone: a vibrating membrane produces the sound (drum s) idiophone: sound is produced from the material (wood, glass, stone, metal) Related to ensembles:
wind quintet: flute, clarinet, oboe, bassoon, french horn. Related to text and music: syllabic: one syllable sung to each note. melismatic: one syllable sung to several notes. sacred: religious music, often for the church liturgy (services) secular: worldly, non-religious music, usually in the vernacular.
continuous variations: includes an ostinato -- a repeated bass line or set of chords (usually 4-8 measures)#N#with continuous variations above the bass pattern. This term is also called a ground bass, a chaconne,#N#and a passacaglia. These are common in the Renaissance and Baroque periods.