E.E. Cummings “next to of course god america i” is a poem about patriotism and the war. The poem starts off with the speaker being someone that is a patriot and feels strongly about America. As the poem progresses it takes a different approach becoming very sarcastic.
E.E. Cummings “next to of course god america i” is a poem about patriotism and the war. The poem starts off with the speaker being someone that is a patriot and feels strongly about America. As the poem progresses it takes a different approach becoming very sarcastic.Jan 1, 2015
With the last line of 'next to of course god america i', the speaker reveals the readers that all that he has been saying is not spoken by him but to him. However, his decision to repeat what he has been told reveals that the ideas resonate with him.
next to of course god america i is a 14 line sonnet with a rhyme scheme ababcdcdefgfeg and an inconsistent iambic meter (metre in British English) which helps vary the rhythmic stresses of the lines. Basically this is a hybrid English and Russian sonnet with a cumming's twist - a single line at the end.Sep 23, 2020
'the Cambridge ladies who live in furnished souls' by E. E. Cummings is about the differences in social classes, ignorance, and reality. The speaker judges the Cambridge women for the fiction they engage in and their lack of interest in the real world. This piece is one of Cummings' easiest to read.
The opening allusions in lines 1 through 3, from "The Star-Spangled Banner” (1814) and “America/My Country ‘Tis of Thee” (1831), are also used in Martin Luther King’s “I Have a Dream” speech of 1963.
Cummings' speaker uses an amusing contradiction that alludes to senseless babbling in line 6, as he speaks of “every language even deafanddumb.” He then proceeds in line 8 to hyperbolically allude to common folk/salt-of-the-earth clichés, sprinkled in his text like field fertilizer; “by jingo by gee by gosh by gum” is his attempt to find the right metaphor for his plain, simple audience, the more easily to appeal to them as a man of the people.
In line 9, the speaker asks rhetorically, “Why talk of beauty?” an allusion to Keats’ “beauty is truth, truth beauty,” as he drums up false sentiment for war, alluding hypocritically to the honor of casualties: “what could be more beautiful than these heroic happy dead” who, in a mixed metaphor, rush like “lions to the slaughter” rather than lambs.
Cummings’ final allusion in line 13, “should the voice of liberty be mute?” is also a rhetorical question, alluding to the “Voice of Liberty” broadcasts of FDR’s fireside chats before World War II; in truth, the voice of the speaker who feigns a love of liberty probably should be mute.