The survey course of literature was originally designed to give students an introduction to the major authors, genres, and works of a given time period. It is a performance of literary history.
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• Support what you’re writing All your interpretations of sources should be backed up with evidence which shows that what you’re writing is authentic and valid. Ask for professional lit review help if there are any writing troubles. 12. • Choose thoroughly In each source, choose only essential points on the topic.
The literature review surveys scholarly articles, books, and other sources relevant to a particular area of research. The review should enumerate, describe, summarize, objectively evaluate and clarify this previous research. It should give a theoretical base for the research and help you (the author) determine the nature of your research.
All survey courses develop students' understanding of literary forms and movements in literary history. Surveys introduce students to the basic emphases of literary study, exposing them to different genres and methodologies and building for them a vocabulary for the critical discussion of literature.
A survey of American literature from its beginnings through the mid-19th century, focusing on representative works in poetry, fiction, the essay, drama and/or oral traditions studied in the context of the multicultural American experience.
This course is a survey of canonical British literary works written from 900 to 1789 with special attention to their literary qualities and conceptual context. The course will develop appreciation of the works assigned, as well as allow students to read literature sensitively and critically.
An introduction to reading and analyzing these primary genres of literature: fiction, poetry, and drama. The course may also include creative nonfiction. Students will respond critically to readings of different historical and cultural contexts through class discussion and written evidence-based literary arguments.
Survey of World Literature covers literary selections from a wide variety of the world? s cultures. Specifically, it addresses stories, poems and plays from Africa, Asia, the Americas, Europe and the Middle East. It also covers literary genre, critical methodologies, research, and critical thinking.
Literary works written and published in Great Britain and British colonies are referred by the term English literature while American literature refers to literary works written and published in America. • English literature is written in British English while American literature is written in American English.
British Literature specifically is a rigorous course in which students will study the early forms of written English and the British tradition in literature. Students will critically read and evaluate various forms and types of texts including novels, poetry, informational texts and visual texts.
Often referred to as UK literature, British literature primarily refers to all literature produced by British authors from the United Kingdom, which includes England, Scotland, Northern Ireland, Wales, the Channel Islands, and Isle of Man.
The anthology provides an overview of poetry, drama, prose fiction, essays, and letters from Beowulf to the beginning of the 21st century.
An introduction to reading and analyzing these primary genres of literature: fiction, poetry, and drama. The course may also include creative nonfiction. Students will respond critically to readings of different historical and cultural contexts through class discussion and written evidence-based literary arguments.
The activities in a literature class—reading, writing, discussing, thinking critically about texts and ideas—prepare students for the work world and for life. But beyond that, studying literature enriches our lives, truly a central goal of higher education.
Literature courses can nurture your analytical skills; enhance your ability to comprehend and synthesize findings in peer-reviewed research; and present opportunities to broaden your perspective on social, emotional and economic issues.
What do we expect, in terms of breadth of knowledge within a discipline, and how do you get students to learn that? —James Lang
James M. Lang is a professor of English and the Director of the Center for Teaching Excellence at Assumption College in Worcester, MA, where he teaches courses in British literature and in creative nonfiction writing.
Bonni: [00:00:00] Today on episode number 210 of the Teaching in Higher Ed podcast, James M. Lang talks about his book Teaching the Literature Survey Course.
Teaching the Literature Survey Course makes the case for maintaining—even while re-imagining and re-inventing—the place of the survey as a transformative experience for literature students.
Gwynn Dujardin is assistant professor of English at Queen’s University in Kingston, ON, Canada.
Teaching the Literature Survey Course makes the case for maintaining—even while re-imagining and re-inventing—the place of the survey as a transformative experience for literature students.
Course objectives focus on the development of writing skills, which can be fostered within almost any subject, thus allowing instructors to select from an endless palette of readings and assignments. Finally, the students are usually in their first year.
The first major assignment of his survey course requires students to explore their anthology, identify a work that they would like to see discussed in class, and then write an essay justifying its inclusion. On the day the course covers that work, the student who advocated for it helps lead the discussion.
A literature degree is a course of study at a college or university that focuses on texts, usually written in a specific language. For example, you could focus on English or Russian literature. The degree involves a set of core courses to create a base of knowledge of literature in addition to specialized courses on a certain author, text or era.
When pursing a literature degree, you'll learn about many aspects and interpretations of texts. There are three components to most literature programs:
These are some limitations of a literature major that you may want to consider:
There are a wide variety of literature and English programs that can provide different experiences. Here are the different degrees available in literature:
Often departments hope to use survey courses as a way to proselytize for the discipline before a captive audience of novices and newcomers. But that goal is not always a primary factor in deciding who teaches the surveys. I’ve worked in departments where the survey course was seen as fertile ground for potential majors, but I’ve also worked in places where people sought to avoid teaching it by any means possible, some of them shady.
For example, a survey course in communications might organize itself around the themes of interpersonal communication, mass communication, advertising and propaganda, new media, and communications theory. Or a biology survey might be divided into sections like cell biology, plant biology, physiology, genetics, and evolution.
Employ a case-study approach. Rather than inundating students with content throughout the course, think about how case studies could stand in for larger course themes or competencies. Some history instructors, for example, use biographies for their survey: People’s individual stories are a window through which students can look at a particular historical event or period. In a social-science or business survey, a specific “real world” application exercise can be a more manageable focus for students’ engagement with the broader areas of your disciplinary content.
All too often, the survey course occupies the terrain of skepticism and derision: It’s not a “real” course to practitioners of a particular discipline, but for outsiders it’s way too much of that discipline. Faculty members ask: How can students learn 2,000 years of world history in a semester? And students wonder: Why am I being deluged with so much information? This is just a gen-ed class!
An important thread running through those conversations: A good survey course is, most emphatically, not a content-driven information transfer ; it’s more like a curated collection. Some of the smartest advice I ever received about this came from a senior professor who told me, when I started teaching a survey: “Dare to omit.”
Moreover, even if the discussion sections are lively and interactive, the course itself is still structured as a vast content dump. Or, as we used to joke in my graduate program about the world-history survey: “Plato to NATO in two semesters.” That’s the equivalent of making students drink from a fire hose, and it does not serve them well. If historians accomplish any of the goals we say are important in a survey class, it’s usually in spite of, rather than because of, the way we teach it.
The survey course doesn’t have to be the one everyone avoids teaching. And it doesn’t have to be an unrewarding endurance contest for our students.