Most plays from the past have an INCITING INCIDENT, or an event that starts the action of a play. This inciting incident will lead to a MAJOR DRAMATIC QUESTION/MAIN ACTION. Main action or "Spine" of a play - the single distillation of all the actions in a play.
A character is a person, animal, being, creature, or thing in a story. Writers use characters to perform the actions and speak dialogue, moving the story along a plot line. A story can have only one character (protagonist) and still be a complete story.
Dramatic tension is how you keep an audience hooked to the story of your play. It is about creating and maintaining an audience's involvement in the “journey” of your play.
The spoken text of a play - conversations between characters is dialogue.
Characters serve as the driving force in your story. Your characters create and push your plot forward. Readers can experience the world that you've created through your characters, both from the way that your characters interact with their environment and the way that your characters view their environment.
Types of Characters in a StoryProtagonist. Your main character or hero is, naturally, the essential player. ... Antagonist. This is the villain, the character who opposes and undermines your protagonist. ... Sidekick. ... Orbital Character. ... Love Interest. ... Confidante. ... Extras. ... Foil.
The turning point begins to lead the reader to the final outcome or resolution of the conflict. Falling Action: The action falls immediately after the turning point. Events that occur in the falling action are the after- effects or consequences of the climax.
the use of space/distance betweenProxemics is the use of space/distance between characters on stage. This can represent the relationship between characters.
Tension of mystery: The tension produced when neither the participants within the drama nor the spectators are aware of meaning behind what is happening.
antagonist: the opponent or adversary of the hero or main character of a drama; one who opposes and actively competes with another character in a play, most often with the protagonist.
Figure 1 shows the conventions of narrative writing or prose. This mainly involves the voices of those who are primarily concerned or involved in the story. Thus, characters are those who give life to the story's actions and scenes.
Stanislavski Technique stems from his theatre practice and is still used by actors all around the world today. The method is an actor training system made up of various different techniques designed to allow actors to create believable characters and help them to really put themselves in the place of a character.
a. The playwright retains control of their script and technically no director, actor, designer, producer, or anyone else can change the script without permission from the playwright or the playwright's lawyer, publisher, or estate. b. The playwright has the most authority over the theme of the play.
Playwrights are members of closed-shop unions, which the other artists are forbidden to join. b. 3. Playwrights, like actors, can join closed-shop unions in which all employees must belong so meaningful strikes for better wages are possible. a. True.