I have come to get you, Conor O’Malley, the monster said, pushing against the house, shaking the pictures off Conor’s wall, sending books and electronic gadgets and an old stuffed toy rhino ...
When Conor first meets the monster, he believes the monster is his nemesis; however, over the course of the novel, the monster goes from being threatening to becoming a …
Over the course of the book, Conor’s mother grows more and more ill as multiple treatments fail her, and it’s implied that she passes away just after the novel’s conclusion. At the beginning of the book, Conor has a difficult time coming to terms with the …
The Book. How you trust yourself manifests in how you understand trust, live your life, and lead—both in your company and in society. Trust in self affects how you trust others, how others trust you, and how you deliver on your commitments to self and others. Conor shares with you the distinction between your Way of Being and Your Way of ...
I have come to get you, Conor O’Malley, the monster said, pushing against the house, shaking the pictures off Conor’s wall, sending books and electronic gadgets and an old stuffed toy rhino tumbling to the floor (Chapter 1).
In the final chapter, Conor tells his mother that he does not want her to go. He holds her in understanding until he can let her go.
At first, Conor believes the monster is merely a vision in a dream; then, he becomes confused about what is real and what is not . Further, he does not understand the meaning of the monster's three tales until he admits the truth about himself, a truth which the monster helps him realize.
All of these tales are relevant to Conor's life. The yew tree which transforms into the "monster" gives advice and teaches lessons with his three tales. He wants Conor to come to grips with his mother's terminal condition and stop trying to be "invisible" because, he tells Connor, he must tell the truth:
The monster tells Conor that he only appears for matters of life and death ; further, he states that he will return to Conor, and he will relate three stories from when he walked before, and they will be scary. Also, after he tells three stories, Conor will tell a story, and it will be the truth--not just any truth, but Conor's truth, the truth of which Conor is afraid.
After Conor is attacked by the bullies at school, the monster reappears that night at precisely 12:07 a.m. When the monster tells Conor that he wishes to talk with him, Conor says that he will meet... (The entire section contains 774 words.)
The second tale is about a man punished for his selfishness. He was a minister who preached against cutting down a yew tree for medicinal products, and drove an apothecary away. When his daughters were ill, the minister begged the apothecary cure his daughters. The apothecary refused; consequently, the girls died.
In the end, after Conor tells his story, the monster comforts him. Even though Conor wants the monster to heal his mother, the monster says, "I did not come to heal her... I came to heal you" (page 193). By forcing him to listen to its stories and tell his own, the monster has healed Conor and prepared him for his mother's death.
The Monster ultimately becomes Conor's greatest comfort. It confesses at the end that it came to "heal" Peter and prepare him for the loss of his mother. The threats the Monster made about Conor having to share his tale were not about literally eating Conor, but about the guilt he felt eating him up emotionally.
Initially, Conor views the Monster as a threat. It appears to want to eat him and it makes threats about what will happen should Conor not share a "fourth" tale with him, which Conor interprets as a threat on his life. Conor also derides the Monster's interest in telling stories, since he views stories as a childish pastime.
When he believes the Monster will not appear to him again, he is afraid because he genuinely enjoys the visits.
The relationship between monster and boy becomes one of mentor and student, of a moral guide leading his young charge to face up to the truth of his situation, thus liberating him.
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Conor is constantly confronted with his mother’s suffering and evidence of her impending death. Despite the fact that her health is deteriorating right before his eyes, Conor holds out hope that she will get better and tries to push away his own suffering in the process.
Conor lets go of his mother because she has become so heavy, even though he knows that he could hold onto her for a little bit longer.
The monster tells Conor stories in order to show him that it is okay to be angry at the world, to be frustrated with his family, and to be upset about the weight that his mother’s illness places on him. After the monster gives Conor permission to express his grief ...
What the monster ultimately helps Conor recognize, and what the book ultimately argues, is that Conor and his family cannot avoid suffering and death; instead, they must confront their pain head on in order to eventually move past it.
This reaction demonstrates how Conor’s attempt to push away his own grief only inflicts more pain and suffering on himself and those around him. Because he is in denial about his mother’s illness, Conor attempts to make things appear completely normal at all costs.
In A Monster Calls, thirteen-year-old Conor lives in an English town with his mother, who is implied to be battling cancer. Over the course of the book, Conor’s mother grows more and more ill as multiple treatments fail her, and it’s implied that she passes away just after the novel’s conclusion. At the beginning of the book, Conor has ...
Ness fills the book with examples of Conor’s mother’s sickness: she feels exhausted and often falls asleep in odd places; she is losing her hair from her treatments; she vomits so often that Conor describes this as “normal.”. Despite these facts, Conor is firmly in denial about his mother’s condition.
How you trust yourself manifests in how you understand trust, live your life, and lead—both in your company and in society. Trust in self affects how you trust others, how others trust you, and how you deliver on your commitments to self and others.
Conor is a leading executive coach, “the CEOs’ Caddy”, who walks alongside his clients on their learning journey with him.
Conor's grandmother is a real estate agent in her sixties. She briefly moves in to Conor's mother's house when the cancer treatments leave Conor's mother weak, and Conor later moves in with her. Conor dislikes how she doesn't behave like most grandmothers, as she doesn't cook, dyes her hair, and is bossy toward Conor.
Conor is the novel's protagonist and point-of-view character . At thirteen, Conor is haunted by a dream in which his terminally ill mother's hands slip from his grasp. He is also the victim of bullying at school. Prone to anger and isolation, Conor learns with the monster's help to accept the unfair reality of his mother's impending death.
Conor's mother. Conor's mother is undergoing chemotherapy treatments throughout the novel. She has lost her hair from the treatments, and sometimes covers her bald head with scarves. Her condition worsens over the course of the book.
Although his narrative is centered in the monster's first telling of the tale, the monster later reveals that the heir actually murdered his lover in order to frame the queen and incite a mob of villagers to attack her castle. Study Guide Navigation. About A Monster Calls. A Monster Calls Summary. Character List.
Conor's father lives in America with his new wife and their baby daughter. Conor feels alienated by the way Conor's father's accent and pet names have changed since he moved to the States. When Conor asks to live with his father instead of his grandmother, Conor's father says there isn't enough room for him.
The Apothecary . The Apothecary is one of the protagonists from the monster's second tale. The Apothecary is greedy and charges too much for his remedies, but the monster reminds Conor that he is at least an effective healer.
Harry. Harry is a student at Conor’s school who taunts and physically assaults Conor on a daily basis. As a top-scoring student and "Blond Wonder Child," Harry is able to obscure his bullying tendencies by impressing teachers.