Edison patented this invention on August 31, 1897. Most of those early kinetoscope films disintegrated or burned because of the film's nitrate (acidic) base. But luckily, he had made paper copies of the film's individual frames, called "contact prints." So now you can view one of Edison's first-ever moving pictures, commonly called "Fred Ott's ...
An overview of Thomas A. Edison's involvement in motion pictures detailing the development of the Kinetoscope, the films of the Edison Manufacturing Company, and the company's ultimate decline is given here. This essay relies heavily on the research and writings of film historians Charles Musser, David Robinson, and Eileen Bowser.
· Answer Selected Answer: Correct Answer: To determine if all four feet ever are off the ground Question 10 4 out of 4 points Why were Thomas Edison's early films for the Kinetoscope rather limited? Answer
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Edison’s initial concept for his motion picture device was based on the phonograph’s cylinder. Small photographic images following a sequence were attached to a cylinder, with the idea that an illusion of motion through reflected light would be created as the cylinder rotated. However, tests showed that it was ineffective.
And thus, the kinetoscope was born. The prototype, which was also a camera aside from a peep-hole viewer, was unveiled on May 20, 1891. It used 18mm wide films, which, according to author David Robinson, “ran horizontally between two spools, at continuous speed.”. On August 24, 1891, Edison filed the patent for the camera (kinetograph) ...
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On August 24, 1891 , Edison filed the patent for the camera (kinetograph) — peep-hole viewer (kinetoscope) set-up, indicating the film width to be 35mm and the possibility of using a cylinder for future upgrades.
Finally, when emulsion-coated celluloid films were developed by John Carbutt, Edison started using them for testing during the kinetoscope’s development. Eastman Company eventually started producing its own celluloid films, which Dickson soon began purchasing by bulk.
Later in France, the meeting of Edison and physiologist Etienne-Jules Marey perhaps helped tilt the development to the right direction. Marey was able to produce a set of sequential still images using continuous rolls of film, calling the technique chronophotography.
William Dickson, Edison’s assistant and one of his most talented men, was tasked to develop the kinetoscope, while Edison reportedly “supervised and involved himself and participated to varying degrees.”. Because of this, many scholars and historians largely credited Dickson despite Edison taking the full credit.
Edison's Kinetoscope, open. Film was threaded on rollers as a continuo us ribbon. In this patent, the width of the film was specified as 35mm, and allowance was made for the possible use of a cylinder. Edison's Kinetoscope, closed. The viewer would look through the lens at the top of the machine to watch a film.
A prototype for the Kinetoscope was finally shown to a convention of the National Federation of Women's Clubs on May 20, 1891. The device was both a camera and a peep-hole viewer, and the film used was 18mm wide.
The first public demonstration of the Kinetoscope was held at the Brooklyn Institute of Arts and Sciences on May 9, 1893.
In Europe Edison had met French physiologist Étienne-Jules Marey who used a continuous roll of film in his Chronophotographe to produce a sequence of still images, but the lack of film rolls of sufficient length and durability for use in a motion picture device delayed the inventive process.
Laboratory assistants were assigned to work on many projects while Edison supervised and involved himself and participated to varying degrees . Ultimately, Edison made the important decisions, and, as the "Wizard of West Orange," took sole credit for the products of his laboratory.
Edison's assistant, William Kennedy Laurie Dickson, was given the task of inventing the device in June 1889, possibly because of his background as a photographer. Charles A. Brown was made Dickson's assistant. There has been some argument about how much Edison himself contributed to the invention of the motion picture camera. While Edison seems to have conceived the idea and initiated the experiments, Dickson apparently performed the bulk of the experimentation, leading most modern scholars to assign Dickson with the major credit for turning the concept into a practical reality. The Edison laboratory, though, worked as a collaborative organization. Laboratory assistants were assigned to work on many projects while Edison supervised and involved himself and participated to varying degrees. Ultimately, Edison made the important decisions, and, as the "Wizard of West Orange," took sole credit for the products of his laboratory.
Edison and his Orange Laboratory staff, in The Life and Inventions of Thomas Alva Edison, by W.K.L. Dickson and Antonia Dickson , p. 285. Guide to photograph of Edison and his Orange Laboratory staff, in The Life and Inventions of Thomas Alva Edison, by W.K.L. Dickson and Antonia Dickson, p. 284.