Vivaldi's "The Four Seasons," sits at the very pinnacle of classical music alongside Beethoven's “Fifth Symphony.” With greatness so pristine, its merit will never be bounded by time, but only through the genius of its creator.
Since it’s currently summertime, I wanted to take this opportunity to delve into The Four Seasons by Vivaldi, specifically the “summer” movement. This is a Baroque-era concerto in a set of four concerto, each with its own season/theme: spring, summer, autumn and winter.
This somewhat made sense as Vivaldi, with his numerous concertos, “The Four Seasons” in particular, exemplified the typical concerto form. A typical concerto consists of three movements – a slow middle movement contrasting the lively first and third.
Vivaldi himself likely wrote a sonnet to accompany each season. Each season is written in three movements, just like the sonnets. They were written around 1721 and were published in 1725 in Amsterdam. Summer’s full title is “Concerto No. 2 in G minor, Op. 8, RV 315, “Summer” (L’estate)”.
A typical concerto consists of three movements – a slow middle movement contrasting the lively first and third. Each sonnet (in this case each season) in “The Four Seasons” can be divided into three sections, ...
Each season offers a “point of departure” for a diverse range of metaphors. Vivaldi's "The Four Seasons," sits at the very pinnacle of classical music alongside Beethoven's “Fifth Symphony.”. With greatness so pristine, its merit will never be bounded by time, but only through the genius of its creator.
The concertos offer their own musical exhibition through all players, the soloists burning the brightest. “Spring” or “La primavera,” starts with the clarity and crispness of a typical spring day, accompanied by the choirs of birds and streams. It is invaded by a sudden thunderstorm, but the singing birds soon regain dominance.
Fast-forwarding half a century, the 4 concertos can now be safely considered as the single greatest sensation of classical music. The most eminent violinists have recorded it more than a hundred times. They have featured multiple times in TV commercials and Hollywood movies. From credit cards to cars, billboards, elevators to hotel lobbies, and even to mobile phone ringtones, their popularity continues to soar.
A timeless masterpiece, the concerti were first introduced in 1725. It was Vivaldi’s 8th opus among a set of 12. He named it “The Contest of Harmony and Invention,” or “Il cimento dell’armonia e dell’inventione.” Apart from harboring inspiration from the seasons, the concertos were influenced by a set of 4 sonnets crafted about summer, winter, autumn, and spring. The names of the originator of these sonnets remain questionable, although most historians credit Vivaldi for them. This somewhat made sense as Vivaldi, with his numerous concertos, “The Four Seasons” in particular, exemplified the typical concerto form.
The final movement offers people outdoors walking down icy paths, while people inside houses feeling the relentless chill finding its way inside.
The composer’s interest in crafting concertos can be linked to “Ospedale della Piera,” a home for illegitimate and orphaned girls which specialized in teaching music. He was appointed as the “conservatoire director” there and being a supremely skilled violinist, blossomed.
In Vivaldi’s Summer, we hear everything from “buzzing gnats and flies”, “violent storms” to “roaring thunder”.
The Seasons is a set of Concerti written in the Baroque period, where the idea of program music was still very new. Vivaldi himself likely wrote a sonnet to accompany each season. Each season is written in three movements, just like the sonnets. They were written around 1721 and were published in 1725 in Amsterdam.
The Seasons is a set of Concerti written in the Baroque period, where the idea of program music was still very new. Vivaldi himself likely wrote a sonnet to accompany each season. Each season is written in three movements, just like the sonnets.
Our final movement, “Presto”, is one of my favorite Baroque movements. It’s about two and a half minutes long, and it’s just full of verve and intensity.
Let’s take a listen to a bit from the beginning – the constant rolling notes are the storm, and when the notes descend they remind me of hail and lightning. When the notes sweep upward, I’m thinking of big gusts of wind.
Absolute music. The opposite of program music is absolute music, which bears no resemblance to anything in the natural world – it’s purely about the sounds. An example of “absolute” music might be something like, “Invention no. 1 in C major” – nothing evocative in that title.
The Four Seasons by Vivaldi: Movement 1. The first movement is about five minutes long, and is marked as “Allegro” – though the first minute or so is quite slow and moody. It’s the sound of languishing. When things pick up to allegro, we hear the “cuckoo’s voice” – it’s that repetitive pairing of notes, duh-duhhhh.
Unifying feature of all Baroque music is the basso continuo
Bach composed in all Baroque instrumental and vocal styles, except opera
Baroque composers sought above all to highlight unity of mood within a composition, capturing one particular emotion—such as rage, sorrow, joy, or grief—through various musical 'figures of speech' that represented these moods. TRUE. Baroque composers were particularly concerned with relating music and text.
Claudio Monteverdi, who published his first piece at the age of 15, worked for more than 20 years at the ducal court of Venice before taking over the post of music director at the cathedral of St. Mark's.
An opera, which is a dramatic work set to continuous music and acted out on a stage , always includes a chorus, orchestra, and cast of solo singers. True. Listen to the selection from "Possente spirto" and identify which of the following Baroque instruments or practices is NOT used. monody.
The English court's favored form of entertainment in the late 17th century was the masque, allegorical spectacles that typically centered on topics such as peace and love in performances that featured poetry and music.
The rococo style developed in northern Italy during the late Baroque period, featuring lighter forms of opera that featured dances and scenes from everyday life. False. Toward the end of the Baroque era, the emphasis on ornate and magnificent splendor began to be seen as overly emotional.