Curious about the blue lines on the ski and snowboard courses at the Vancouver Olympics? They’re visual cues to help skiers chart their path down the mountain. But they weren’t always there-when I raced in the 1980s, pine boughs were used instead. They would stick 6-8-inch green pine boughs along the sides of the course.
The Olympic Charter required organisers of the Olympic Games to include a programme of cultural events, to "serve to promote harmonious relations, mutual understanding and friendship among the participants and others attending the Olympic Games". From 1912 to 1948 rules of the art competition varied, but the core of the rules remained the same.
“Some of these photos, you can't get around it, they look like paintings,” says Denis Paquin, who would know. He has overseen AP's Olympic photo report for more than a decade and has viewed thousands of images over the past two weeks.
From 1912 to 1948 rules of the art competition varied, but the core of the rules remained the same. All of the entered works had to be inspired by sport, and had to be original (that is, not be published before the competition).
Race officials often sprinkle the needles at the bottom of a jump so skiers know where the landing area is. Lines are painted before the race by an official wearing a backpack spray tanker.
The Olympics Have 100 Percent Fake Snow—Here's the Science of How It Gets Made. The Conversation, an online publication covering the latest research. The winter Olympics conjure up images of snowy mountain ranges, frozen ice rinks and athletes in cold-weather gear. And for good reason.
The plants are used to mark the landing point of the ski jumpers. Just like a plane which is about to land needs to know where the runway is, the pine branches are there to serve as distance markers, letting ski jumpers know how far they are and adjust their skiing movements for better and safer landings.
The Streif in Kitzbühel: The World's Hardest DownhillThe most extraordinary downhill event in the world will take place on January 26th in Kitzbühel, Austria. ... The Streif has been an integral part Kitzbühel's history since the first competition was organized by the Kitzbühel Ski Club in 1931.More items...
However, because the powder products expand when wet, they could become a choking hazard and cause intestinal blockage if the powder is swallowed before being mixed with water. If swallowed, rinse the mouth and offer sips of water to soothe any mouth irritation and to clear the throat.
The main components of the setup include snow guns, which look like cannons and use compressed air to break water into small droplets that then freeze in the cold; more than 40 miles of pipe, which transports the water; and snowcats, which look like tractors that pack and smooth out the snow.
They are an important visual cue for the athletes, helping downhill skiers chart their path down the mountain and gauge the actual line they want to ski. The dye is also often used as a reference point for coaches and racers to identify when to start turns, which can sometimes be a few feet above the line.
There are tiny green plants at the bottom of the ski jump hill, and they stick out amid the white snow. The plants are placed there to help ski jumpers' depth perception. When the athletes are flying through the air and rapidly approaching the ground, the plants help them know where they are in relation to the ground.
The plants are there to let ski jumpers know where the ground is. Imagine flying through the air and only seeing a vast expanse of white snow as you fall toward uneven ground.
HarakiriThe 78 percent gradient of Harakiri makes it the steepest groomed run in the world. One slip on this icy groomer would most likely send a skier tumbling down the length of the run. Harakiri, the Japanese term for ritual suicide, is a fitting name for the Austrian slope.
Triple Black Diamond Terrain The methodology for designating trails as triple black diamond includes: exposure to uncontrollable falls along a steep, continuous pitch, route complexity, and high consequence terrain.
La Sarenne, Alpe d'Huez, France To get ultimate bragging rights, La Sarenne – the longest black run in the world – is a must-ski. Stretching a whopping 16km in length, this slope starts off steep, icy and full of moguls, so get ready to put your technique to the test.
One of his other desires was to combine both art and sport, ...
The number of entrants was rather disappointing: only 35 artists are known to have sent works of art to Sweden, but gold medals were awarded in all five categories.
Like in the athletic events at the Olympics, gold, silver, and bronze medal s were awarded to the highest ranked artists, although not all medals were awarded in each competition.
This was different for the 1924 Summer Olympics in Paris. The contests were taken seriously for the first time, and 193 artists submitted works. This figure included three Soviet artists, even though the Soviet Union officially did not take part in the Olympic Games, which they considered to be a "bourgeois" festival.
The juried art competitions were abandoned in 1954 because artists were considered to be professionals, while Olympic athletes were required to be amateurs.
The issue continued to be debated within the Olympic Movement, and at the 49th IOC Session in Athens, 1954 , the IOC members voted to replace the art contests with an exhibition for future Olympics. Several attempts have been made to re-include them, but without success.
Pierre de Coubertin was not discouraged, and sought to include the artistic events in the programme of the 1912 Summer Olympics, to be held in Stockholm, Sweden.
In the early part of the 20th Century, from 1912 to 1948 to be exact, the International Olympic Games included competitions for art and architecture, according to Mental Floss.
While most Olympians are known for excelling in a single field, there were two past Olympians, Alfred Hajos and Walter Winans, who managed to medal in both the arts and in sports. Hajos, who came from Hungary, earned gold medals in swimming. He later went on to win a silver medal in architecture. He designed a swimming stadium.
Stories like the two above remind artists that throughout history, people understood that artistic mastery should be celebrated. The Olympics constitute a heroic effort to reach the pinnacle in sports.
5 Movies About Artists: The Christmas Cottage, Loving Vincent and More!
downhill turn in the wrong place. They use blue dye instead of red dye (which would be more visible) because red would look a like blood — not a good image to have on the snow in a ski race.
They would stick 6-8-inch green pine boughs along the sides of the course. They would also crush pine boughs and spread them all over the course. This worked even better than the blue dye, I think, because they were everywhere instead of just in the lines. But I’m sure it was tough to supply the pine boughs.
And sometimes a larger piece would get stuck in the toe-piece of a binding, or a racer would ski over a large stick and it would affect their run. The blue dye is put down by course workers, and usually it mimics the line of the course pretty well.
Skiers also use the blue dye to help gauge the actual line they want to ski. For example, on the Coaches’ Corner turn on the men’s downhill course at Whistler, some racers inspected and planned to start that turn on the blue dye, and others, like Didier Cuche of Switzerland, went a few feet above the line to start the turn.
The New York Times Olympics and Paralympics blog will report on the athletes, sports and issues of the 2010 Winter Games in Vancouver. It will feature news, analysis, first-person accounts and discussion items from the training ice to the downhill slopes.
Doug Lewis is a two-time Olympian (1984 and 1988) and world championship bronze medalist in the downhill. He is the voice of Alpine skiing at the 2010 Olympics for the Vancouver Organizing Committee and works as the Alpine analyst for Universal Sports.