who originally coined the term "romanticism"? course hero

Who is the founder of Romanticism?

Aug 05, 2015 · This preview shows page 1 - 3 out of 3 pages. HUM112 Quiz 4 Question 1 4 out of 4 points Who originally coined the term "Romanticism"? Answer Selected Answer: Friedrich von Schlegel CorrectAnswer: Friedrich vonSchlegel.

What is another name for the Romantic era?

Oct 30, 2015 · Question 5 4 out of 4 points Who originally coined the term "Romanticism"? Answer Selected Answer: Friedrich von Schlegel Correct Answer: Friedrich von Schlegel Answer Selected Answer : Friedrich von Schlegel Correct Answer : Friedrich von Schlegel

Why did the Romantics believe that poetry was the best form?

Aug 01, 2017 · Question 5 4 out of 4 points Who originally coined the term "Romanticism"? Selected Answer: Friedrich von

Was there a Romantic movement?

Jan 07, 2015 · Question 27 2 out of 2 points Who originally coined the term "Romanticism"? Answer Selected Answer: Correct Answer: Friedrich von Schlegel

Where did Romanticism begin?

Romanticism began in Portugal with the publication of the poem Camões (1825), by Almeida Garrett, who was raised by his uncle D. Alexandre, bishop of Angra, in the precepts of Neoclassicism, which can be observed in his early work. The author himself confesses (in Camões ' preface) that he voluntarily refused to follow the principles of epic poetry enunciated by Aristotle in his Poetics, as he did the same to Horace 's Ars Poetica. Almeida Garrett had participated in the 1820 Liberal Revolution, which caused him to exile himself in England in 1823 and then in France, after the Vila-Francada. While living in Great Britain, he had contacts with the Romantic movement and read authors such as Shakespeare, Scott, Ossian, Byron, Hugo, Lamartine and de Staël, at the same time visiting feudal castles and ruins of Gothic churches and abbeys, which would be reflected in his writings. In 1838, he presented Um Auto de Gil Vicente ("A Play by Gil Vicente "), in an attempt to create a new national theatre, free of Greco-Roman and foreign influence. But his masterpiece would be Frei Luís de Sousa (1843), named by himself as a "Romantic drama" and it was acclaimed as an exceptional work, dealing with themes as national independence, faith, justice and love. He was also deeply interested in Portuguese folkloric verse, which resulted in the publication of Romanceiro ("Traditional Portuguese Ballads") (1843), that recollect a great number of ancient popular ballads, known as "romances" or "rimances", in redondilha maior verse form, that contained stories of chivalry, life of saints, crusades, courtly love, etc. He wrote the novels Viagens na Minha Terra, O Arco de Sant'Ana and Helena.

When did the Romantic era start?

Romanticism (also known as the Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism as well as glorification ...

What is the nature of Romanticism?

The nature of Romanticism may be approached from the primary importance of the free expression of the feelings of the artist. The importance the Romantics placed on emotion is summed up in the remark of the German painter Caspar David Friedrich, "the artist's feeling is his law". For William Wordsworth, poetry should begin as "the spontaneous overflow of powerful feelings", which the poet then "recollect [s] in tranquility", evoking a new but corresponding emotion the poet can then mold into art.

Who were the main figures of the Romantic movement?

In English literature, the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth, Samuel Taylor Coleridge, John Keats, Lord Byron, Percy Bysshe Shelley and the much older William Blake, followed later by the isolated figure of John Clare; also such novelists as Walter Scott from Scotland and Mary Shelley, and the essayists William Hazlitt and Charles Lamb. The publication in 1798 of Lyrical Ballads, with many of the finest poems by Wordsworth and Coleridge, is often held to mark the start of the movement. The majority of the poems were by Wordsworth, and many dealt with the lives of the poor in his native Lake District, or his feelings about nature—which he more fully developed in his long poem The Prelude, never published in his lifetime. The longest poem in the volume was Coleridge's The Rime of the Ancient Mariner, which showed the Gothic side of English Romanticism, and the exotic settings that many works featured. In the period when they were writing, the Lake Poets were widely regarded as a marginal group of radicals, though they were supported by the critic and writer William Hazlitt and others.

What was the Romantic era?

The early period of the Romantic era was a time of war, with the French Revolution (1789–1799) followed by the Napoleonic Wars until 1815 . These wars, along with the political and social turmoil that went along with them, served as the background for Romanticism.

Who was the Spanish-speaking South American Romanticism influenced by?

His writings were influenced by his hatred for the Argentine dicta tor Juan Manuel de Rosas, and filled with themes of blood and terror, using the metaphor of a slaughterhouse to portray the violence of Rosas' dictatorship.

Is romanticism a German phenomenon?

Musical Romanticism is predominantly a German phenomenon—so much so that one respected French reference work defines it entirely in terms of "The role of music in the aesthetics of German romanticism". Another French encyclopedia holds that the German temperament generally "can be described as the deep and diverse action of romanticism on German musicians", and that there is only one true representative of Romanticism in French music, Hector Berlioz, while in Italy, the sole great name of musical Romanticism is Giuseppe Verdi, "a sort of [Victor] Hugo of opera, gifted with a real genius for dramatic effect". Similarly, in his analysis of Romanticism and its pursuit of harmony, Henri Lefebvre posits that, "But of course, German romanticism was more closely linked to music than French romanticism was, so it is there we should look for the direct expression of harmony as the central romantic idea." Nevertheless, the huge popularity of German Romantic music led, "whether by imitation or by reaction", to an often nationalistically inspired vogue amongst Polish, Hungarian, Russian, Czech, and Scandinavian musicians, successful "perhaps more because of its extra-musical traits than for the actual value of musical works by its masters".

What is romanticism in philosophy?

Rather than a straight development of Sturm und Drang, then, romanticism is better understood as an attempt to synthesize the grain of truth in the movement with the grain of truth in the philosophy of Enlightenment, or simply put, to synthesize reason and sensibility.

What is romantic poetry?

Romantic Poetry brings out the limits of reason in virtue of being reflective, “ [hovering] on the wings of poetic reflection, and [capable of raising] that reflection again and again to a higher power” (AF: #116). Rather than being merely the “portrayed” object itself—a poetic representation—it “hover [s] at the midpoint between the portrayed and the portrayer” (AF: #116), and so, like Kant’s transcendental philosophy, reflects on the conditions of its own possibility and of human mindedness itself. It is not surprising, then, that Romantic Poetry is called “transcendental” poetry: “a poetry and a poetry of poetry” (AF: #238). Goethe’s Wilhelm Meister, a romantic favorite, manifests this dual reflective and substantive nature:

Why is aesthetics important in science?

Aesthetics is central for the romantic “scientific revolution” for yet another reason that concerns its capacity to “enchant” nature. “Enchanting” stands here for the process of rendering nature magical, or mysterious, and thus inspiring reverence and awe (see Stone 2005).

What is romantic aesthetics?

Conventionally, “aesthetics” refers to a theory concerning beauty and art or the branch of philosophy that studies these topics.

What are the romantics' concerns?

In romanticism, the “aesthetic”—most broadly that which concerns beauty and art —is not just one aspect of human life or one branch of the humanistic studies. Rather, if the romantic ideal is to materialize, aesthetics should permeate and shape human life. Friedrich Schlegel, one of the leading figures in Early German Romanticism, put this idea in a few memorable phrases: “The Romantic imperative demands [that] all nature and science should become art [and] art should become nature and science” (FLP: #586); “poetry and philosophy should be united” (CF: #115), and “life and society [should be made] poetic” (AF: #16).

What is the intersection between aesthetics and politics?

The intersection between romantic aesthetics, ethics and politics offers a particularly clear challenge to the standard view of the romantics as anti-Enlightenment (discussed in §2 ). This is because the romantics turned to aesthetics to a large extent in order to pursue, rather than to reject, some of the core ethical and political values of the Enlightenment, such as autonomy or self-determination and the ideal of Bildung. Art and aesthetics also provided a model for the romantic political ideal: a democratic, egalitarian community grounded in the republican values of liberty, equality and fraternity.

What is the romantic aims of science?

One of the romantics’ central aims was to (re)enchant nature in the face of what they regarded as a threat from modern science . The threat was embodied primarily in the worry that modern science alienated (rational and free) human beings from nature, which, through the lens of this new science, had been viewed as a domain of brute, determined, mechanical causality ( §5.1 ). Aesthetics is capable of (re)enchanting nature insofar as it brings out a different conception of nature as organic rather than mechanic. On this organic conception, nature is (a) an organic whole, which is reciprocally interdependent on its parts; (b) a domain of teleological rather than merely mechanical causality; and (c) a dynamic and living force, which is self-organizing and self-generating ( §5.2 ). “Science should become poetic” insofar as it should approach nature in the same way that criticism approaches romantic poetry. Like romantic poetry, nature should be viewed as an organic and spontaneous whole. Under this conception of nature, rational, autonomous human beings are not alienated from, but are rather part and parcel of, nature ( §5.3 ).

What is the difference between Gothic and Romanticism?

Gothic is often seen as the more popular genre; it's also identified more typically with women, while Romanticism is identified with men.

What is the dark romantic genre?

There's an even darker side of the Dark Romantics: Gothic Literature, which involves sheer terror, personal torment, graphic morbidity, and the supernatural. What is gothic romanticism in literature?

What is Gothic literature?

Gothic literature is a genre that emerged as one of the eeriest forms of Dark Romanticism in the late 1700s, a literary genre that emerged as a part of the larger Romanticism movement. Dark Romanticism is characterized by expressions of terror, gruesome narratives, supernatural elements, and dark, picturesque scenery. Similar Asks.

Is Frankenstein a Gothic novel?

Frankenstein is by no means the first Gothic novel. Instead, this novel is a compilation of Romantic and Gothic elements combined into a singular work with an unforgettable story.