who introduced the term gothic course hero

Why is it called Gothic literature?

Jul 27, 2015 · 1 University of Miami – ARH 131 Survey of Western Art – Vol. 1 Chapter 13 – Gothic Art The term Gothic was introduced in 16 th cent. by Italian artist/historian, Giorgio Vasari, who attributed style to Goths, Germanic invaders who had destroyed the classical civilization of Roman Empire that he & contemporaries admired. France – birth of Gothic style took place in …

Is there a Gothic novel that has been adapted for film?

View Notes - Introduction+ppt from HUMA 3240 at The Hong Kong University of Science and Technology. The Term Gothic Originally referred to a style of European architecture that flourished from the

Who are some famous Gothic authors?

HW#1 The term ' Gothic ' originates from the title of the historic Gothic era when such alphabets were mostly used – basically from around 1200-1500 in the Middle Ages. ' Gothic ' indicates Germanic roots as well, and it is a very Germanic script indeed. Gothic fonts were used up to the 20th century in printed books in Germany! Gothic lettering in one type or another, however, has …

What influenced the evolution of the Gothic villain-hero?

to the entire period The Gothic style was definitely northern It was however a from CALCULATOA 4575 at Tehnical University of Moldova

When did the term "gothic" come into use?

Horace Walpole's The Castle of Otranto introduced the term "gothic story" to the literary world in 1764. While it presented, at first, a topic for argument and inflammatory rhetoric, over the years the gothic has come to be respected as a venerable albeit still controversial genre.

What is the most famous Gothic story?

The most famous example of a Gothic story which involves the theft of a corpse in order to bring it back to some form of life is Frankenstein : Victor frequents "the dissecting room and the slaughter-house" for his "workshop of filthy creation"--apparently his monster comes from some kind of assemblage.

What is anti-Catholicism?

Anti-Catholicism. A frequent and, for some critics, foundational feature of early Protestant Gothic fiction. In this fiction Catholicism comes to be associated with forces of horrid repression, greedy corruption, and mysterious persecution, wrapped in the cloaks of a superstition that prevents scrutiny of authority.

Who edited the female Gothic?

For information on a 6-volume edition of Female Gothic writers, edited by Gary Kelly, visit Pickering's and Chatto's Varieties of Female Gothic. Also see Diane Hoeveler's reflections on the subject from her course syllabus on the Female Gothic (scroll down the page to find the reflections).

What is a claustrophobia?

An abnormal dread of being confined in a close or narrow space. Often attributed to actual physical imprisonment or entrapment, claustrophobia can also figure more generally as an indicator of the victim's sense of helplessness or horrified mental awareness of being enmeshed in some dark, inscrutable destiny. If one were to formulate a poetics of space for the Gothic experience, claustrophobia would comprise a key element of that definition.

What is the Devil's spirit?

The Devil, as portrayed in Judaism and Christianity, stands as a spirit of incarnate evil who rules over a dark kingdom. This spirit stands in constant opposition to God. The actual term ‘Devil' comes from the Latin term diabolus which is an adjective meaning slanderous. Within the Septuagint, the Greek translation of the Bible, the diabolus is translated as the Hebrew "he-satan". Also within this translation, the diabolus is characterized as God's personal spy who travels the earth to gather information concerning human existence. Later, in Jewish tradition, the term satan becomes the proper Satan who is seen as an adversary of human beings as well as God. The base of this belief possibly stems from Persian philosophy. In many areas of Jewish thought, Satan is linked with the idea of evil impulses, i.e. the Devil made me do it. Milton's powerful characterization of a brilliant, still-proud, and almost tragic Satan in Paradise Lost profoundly influenced the evolution of the Gothic villain-hero.

What is dreaming in Gothic literature?

Dreaming is characterized as a form of mental activity that takes place during the act of sleep. Dreams invoke strong emotions within the dreamer, such as ecstasy, joy and terror. Dreams dredge up these deep emotions and premonitions that reflect tellingly upon the dreamer, what one might conceal during waking hours but what emerges in sleep to haunt and arouse the dreamer. It is most likely due to this heightened emotional state that dreams are used so often within Gothic Literature. For by invoking dream states within their characters, authors are able to illustrate emotions on a more unmediated and, oftentimes, terrifying level. Dreams reveal to the reader what the character is often too afraid to realize about himself or herself. Dreaming also has an ancient relation with the act of foretelling wherein the future is glimpsed in the dream state.