Centuries of anthropological evolution has led to today’s piano design. After extensive research and consultation from some of the industry's most renowned historical sources, we've compiled one of the most comprehensive guides to the pianos' history available online.
The piano models became more and more uniform as a result of the demands made by industrial production aiming at large piece output. The new models, their production in large quantities and the wide distribution led to a steadily increased specialization in manufacture.
With each development since its invention, the piano has increasingly been able to provide infinite nuance of expression, volume and duration of tone. A complex wooden machine with myriad felt coverings and metal springs is coupled with a structure that sustains an average of 20 tons of string tension. Where did it begin?
The piano models became more and more uniform as a result of the demands made by industrial production aiming at large piece output. The new models, their production in large quantities and the wide distribution led to a steadily increased specialization in manufacture. Division of labor prevailed and the supply industry began to develop.
Additional changes to the square piano were mostly regarding the material from which frames were being made to achieve a better tone. The English makers were attempting iron and iron hybrid frames to allow for heavier strings and louder, more sonorous tone emanation....Frame.Keyboard.Action.Hammers.Soundboard.
The piano was invented by Bartolomeo Cristofori (1655-1731) of Italy. Cristofori was unsatisfied by the lack of control that musicians had over the volume level of the harpsichord. He is credited for switching out the plucking mechanism with a hammer to create the modern piano in around the year 1700.
Overstringing (cross-stringing) patented in 1828 by H. Pape and later by other makers was the next stage. It made it possible to shorten upright pianos even to 100 cm. Yet, cross-stringing did not spread before the second half of the century together with cast-iron frames.
The piano is credited with the beginning of dynamic markings, since it introduced the ability to control the softness and loudness of the music being played. The piano also brought the ability to play a wider range of notes, which allowed compositions to become more versatile, incorporating seven octaves.
The piano's range thus nearly doubled in less than a century, but it has not changed further in the 150 years since then. Technologically, there is no fundamental limit to this range.
You could almost say that the harp, the very first instrument, is the first prototype of the piano we all know and love today.
Although piano music had mostly been confined to the aristocracy, it became popular with the general public following the French Revolution in 1789, and demand for instruments increased. This led to the rapid industrialization of piano manufacturing.
However, the most important musical instrument in the home was the piano, because it was useful as both a solo instrument and as accompaniment to a group of singers or instrumentalists. To accommodate home use, smaller pianos were created, first square pianos and later uprights.
Cristofori was an expert harpsichord maker, and was well acquainted with the body of knowledge on stringed keyboard instruments; this knowledge of keyboard mechanisms and actions helped him to develop the first pianos.
By the late 18th century the harpsichord was supplanted by the piano and almost disappeared from view for most of the 19th century: an exception was its continued use in opera for accompanying recitative, but the piano sometimes displaced it even there.
The piano was invented to provide a keyboard instrument that could play soft, loud, and everything in between depending on how much finger pressure you used. Other instruments like organs and harpsichords couldn't do that, so their sales might have suffered when the piano came out.
This distinctive shape is a result of the treble strings being shorter than the bass strings. Tail – The portion of the rim that is opposite the keyboard. On modern grand pianos, the tail is curved to match the bentside. Tails on harpsichords and many early pianos were usually straight across.
Italian harpsichord maker Bartolomeo di Francesco Cristofori (1655-1731) invented the first piano around the year 1700. Without him, you’d likely be considering either harpsichord or organ lessons instead of dreaming of learning to play the piano.
In general, the larger the grand piano, the longer the strings and the greater the timbre or sound quality it produces . Digital Pianos – The current digital age brought technology together with the piano to create electric pianos and digital keyboards. From the first inception in 1946 until now, these instruments have come a long way.
Grand Pianos – From the four-and-a-half-foot small grand to the much larger eight- or 11-foot concert grand, the classic look of the grand piano has remained almost unchanged over the years. The strings run horizontally, perpendicular to the keyboard.
In Italian, pianoforte translates to “soft loud.”. The sounds produced by Cristofori’s pianoforte were an extension of what the harpsichord could do. While similar in looks, the pianoforte was much different inside. Instead of a plectrum plucking the strings, the pianoforte used a hammer to strike them.
Cristofori’s first piano was actually called a “pianoforte, ” and borrowed quite a bit of its look and design from the harpsichord — which makes sense, since he was a harpsichord maker. Over the years, the designers learned to utilize better materials, but the basic inner workings have stayed pretty much the same.
The pianoforte became a favorite among musicians because they could express more emotion through the instrument than with the harpsichord.
With a full seven octaves represented, the modern piano features 88 keys, made of ivory or plastic, with wool-covered hammers and cast iron frames able to withstand higher levels of tension on the strings. But before then, the instrument had a few periods of evolution:
The answer came from Bartolomeo Cristofori.
The history of the piano traces back more than 3 centuries, and chronicles how the piano, most popular instrument in existence, continues to be the premiere instrument as we enter its fourth century. It is the most complex mechanical device in any home and is capable of fulfilling the player’s every musical wish.
Clavichords are constructed with bichord strings that are struck by tangents – usually brass – stuck into the end of each key. As a key is depressed, the tangent strikes the strings and remains in contact with them, acting as a fret. At the same time, the tangent sets the string in motion at its correct speaking length. Uniquely, a rapid varying of pressure on the key causes a vibrato effect. Dynamic expression is also possible on the clavichord, but the range is limited to the mezzo-piano level. Still, clavichords were extremely popular in domestic use and remained so for 300-400 years. The harpsichord, which dates to 1505, was popular during the same period and had its own followers. Harpsichord strings are plucked by a quill or plectrum. A jack rises as the key is played, carrying the quill toward the string. A felt damper rises off the string, allowing the string to vibrate freely when it is plucked. Volume could be altered mechanically by adjusting the length of the plectrum and its flexibility, either individually on each jack or by re-positioning the complete register (or one row), moving the jack slide laterally. Yet the harpsichord could be played at a higher volume than the clavichord, which made it especially popular in churches, where it could be played along with the organ and still be heard. A third instrument was also a forerunner to the piano, yet had no keyboard – that is the dulcimer. The dulcimer is a stringed instrument, struck with small padded hammers held in the player’s hands. In 1690, a prolific German dulcimer player and showman named Pantaleon Hebenstreit designed a special dulcimer for himself. His dulcimer was four times the normal size – nine feet long, with an extra soundboard. He made hammers for striking the strings which had two sides with different covering materials – one side for soft and one for loud. This “Pantaleon” (so dubbed by Louis XIV) was a great success for Hebenstreit, but required his unique skills to play. It did not develop commercially, yet provided an important link to the invention of the piano.
There are three surviving Cristofori pianos: a 1720 which is in the Metropolitan Museum of Art in New York City, a 1722 from the Museo degli Strumenti Musicali in Rome (which was on display at the Smithsonian Institution’s 2000 “Piano 300” showcase exhibit of the history of the piano,) and a 1726 Cristofori which is in Leipzig, Germany.
Still, clavichords were extremely popular in domestic use and remained so for 300-400 years. The harpsichord, which dates to 1505, was popular during the same period and had its own followers.
In approximately the year 1700, he produced his great invention, the “gravicembalo col piano e forte.”. Though evidence points to earlier attempts, Cristofori’s was the first successful keyboard instrument which used hammers to hit the strings.
The Great Depression was a major shock to the piano industry, and survival, not innovation, became the name of the game. A further laggard on the industry would be World War II, which saw most piano factories, both in Germany and the United States, converted to producing war-time supplies, parts, and weaponry.
The piano models became more and more uniform as a result of the demands made by industrial production aiming at large piece output. The new models, their production in large quantities and the wide distribution led to a steadily increased specialization in manufacture.
By 1730, Silbermann had made two pianofortes, and by the end of the decade had produced instruments regarded as completely successful and supported by the leading musicians and theorists of the day, even to the point that Silbermann was for many years regarded as the inventor of the piano!
Renner Found in All Top Quality Pianos. Renner is the largest, independent purely action manufacturer for upright and grand pianos in the world. The company’s success is due to their ability to produce custom made actions for the individual customer.
Since 1882, the year it was founded, Renner has produced in excess of two million mechanisms.
The modern mechanism has become a product of highly developed technology. Operational phases previously implemented manually are now fully automatic. The application of the very latest in modern technology makes it possible to produce with even greater precision and reliability and to constantly raise the production level per employee. Specialization is finally established in the world of piano-making. This is particularly apparent on the sector of mechanism manufacture. Renner has been able to hold its own against stiff competition. Making use of the latest know-how in the application of computers and electronic controls, superior quality is produced, as expressed by the former premier of Baden-Württemberg, Dr. Lothar Späth, who said “Quality is honesty in action.” Or as a Swabian put it: “Quality, that’s a matter of decency.”
The development of the pianoforte to its present form has been decisively related to the development of the hammer mechanism. In 1709 , Cristofori achieved the invention of the hammer mechanism, a combination of the beater strike of the dulcimer with the keyboard touch.
Renner is the only supplier on the European continent to have stood up to the stiff selection process of the pianoforte industry. All other competitors have had to give up. They could not conform to the constantly increasing demands in terms of the best of quality, based on reliability, precision and durability.
The part of the piano that has probably seen the greatest change is the action. The action designed by Cristofori was incredibly simple, and some of its aspects can be seen in the modern action. Even so, he would probably be amazed to find that the modern action contains dozens of different parts for each note. We will not try to describe or explain the modern action in any detail here but refer the interested reader to the references for information. A nice animation of the workings of the modern piano action can be found
Hence, the “essence” of the piano has been preserved over the three centuries since its invention.
The piano differs from its keyboard ancestor, the harpsi-chord, in its use of hammers to strike the strings instead of plucking them. The hammers in Cristofori's pianos would thus seem to be a completely new invention. In some ways they were entirely new, but in other ways they were not. Leg-end has it that the idea of introducing hammers in a keyboard instrument was inspired by an outstanding dulcimer play-
The piano is a fascinating instrument with an interesting history. The inventor of the piano was Bartolomeo Cristofori, a gifted and creative maker of keyboard in-struments, who spent his most productive years in the employ of the Medici family in Florence (Pollens, 1995; Good, 2002). Cristofori lived at essentially the same time as the celebrated luthier, Antonio Stradivari, and both worked in what is now northern Italy (although there is no evidence that they ever met).
Essentially all modern pianos now have 88 notes. While this number is standardized, piano designers still have some flexibility in how many strings they use for each note. Cris-tofori's pianos all employed two strings per note. This choice was probably copied from Italian-style harpsichords of his