Best DSLR and Mirrorless Cameras for Shooting Video. 1 1. “The All Rounder”. Canon EOS 70D. Canon EOS 80D. Canon EOS 90D. 2 2. “The Full-Frame Cinematic King of Low Light”. 3 3. “4K or Bust Hybrid”. 4 4. “The Filmmaker’s Choice” aka “The Baby RED”. 5 5. “Documentary Champ”.
Panasonic Lumix GH5 Mark II At launch, the first-generation Panasonic GH5 was one of the top 4K cameras you could buy. Its successor takes the established formula and introduces a few key tweaks to make the Mark II Panasonic’s go-to camera for content creators.
Plus, the a7 III may well be one of the best low-light cameras of all times thanks to its beautiful full-frame sensor. Check out some of the reviews and you might be stunned to learn that this camera can literally see in the dark.
As a rule, professionals use manual DSLR video settings. However, if you are just starting to work in this field, you should pay attention to devices with automatic settings, which will greatly simplify the video recording process.
The course covers topics like stabilization, great exposure, and white balance. Understand concepts like histograms, depth of field, and color correction. Learn about camera accessories. Understand how to set up your camera before a shoot. Learn tools and tips that will help you shoot better videos.
The GH5 Training course covers topics like joysticks, cable holders, white balance, and ISO. Understand motor drive modes and photo styles. Know concepts like time-lapse, animation, bracketing, and HDR. Understand GH5 video fundamentals like system frequency and recording formats.
The GH5 course includes topics like exposure compensation, shooting modes, and recording formats. Understand how to capture audio and customize your GH5. Understand the wireless features of the GH5. Know how settings change while capturing video and still photographs. The first month of LinkedIn Learning’s programs is free.
The Panasonic GH5 course covers the workflow from shooting to post-production. Learn how to click photographs as well as shoot videos. Understand concepts like studio setups, understanding camera controls, and using a lens adaptor. The program is suitable for learners who wish to learn to operate a mirrorless camera.
You can see one of the advantages of a mirrorless camera compared to a traditional DSLR design is a more compact body. Bokeh still from short ‘Crazy or Die’ shot on the Panasonic GH5. Panasonic GH5 4K camera with Atomos external recorder ready to shoot California landscape.
Instead the Canon C100 Mark II Super 35 cinema camera is a full-on, professional camera (though entry level in Canon’s range that includes the step-up C300 and C500) designed purely for shooting video.
The 80D supports custom picture profile s (you can upload them to the camera from your computer). I use CineStyle by Technicolor (yes, the famous “Technicolor” company of film fame) which results in a flat, low contrast image. Then I apply a LUT (look up table) in post-production to process the image. And then I use the FilmConvert plugin (which works for a range of Cameras including Sony, Canon, Panasonic, Blackmagic, RED, Nikon). Why bother? You’ll get slightly more dynamic range (or perceived dynamic range) and you’ll be able to get more of a film look and avoid the dreaded over-sharp camcorder look… to me, all worth the effort.
The Sony Alpha a7 III took the market by storm. And for good reason. Sony’s powerhouse performer comes in a tiny package, but offers stunning, cinematic 4K performance. Plus, the a7 III may well be one of the best low-light cameras of all times thanks to its beautiful full-frame sensor.
The big headline with the Panasonic Lumix GH5 is: internal 10-bit 4K recording. You can record to 4K without the need for an external recorder (as the a7S, above, requires). That’s pretty impressive.
The basic setting that you will need to use is the ISO level. With the correct setting of the aperture, you can control the image quality by changing the brightness and sharpness, and controlling the level of digital noise. ISO specifications are dependent on lens quality. Therefore, more expensive and high-quality lenses will give the best result. Experimenting with the diaphragm, you will get more professional videos and photos than with the automatic settings of your DSLR video camera.
Professional cameras are likely to have a larger sensor (36 x 24 mm), which is equal to the frame size of a 35 mm film (so-called "full frame" cameras). The main difference of such a sensor is 2.5 large surface area, compared with APS-C.
Nikon AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR. It offers 5.5 times zoom and the ability to use 300mm focal length. Considering the cropping factor of the Nikon DX cameras for which this lens was designed, its EGF will be as much as 450mm. With this lens, it is easy to reach distant objects.
It provides the 105mm focal length with a fast f/2.8 aperture. It makes it possible to record fabulous videos with a shallow depth-of-field, allowing the object to stand out against the background. The lens works excellently even in poor lighting conditions.
Rather short battery life. The A99 II is the perfect choice for professionals. It has many video-centric specifications. Users can record videos in 4K and can also try other resolutions and frame rates, for example, Full HD shooting mode.
These kind of camera bodies have long battery life, as the DSLR body is usually bigger, but it contains larger batteries and the optical viewfinder does not use power. Such cameras provide phase detection which makes autofocus and tracking work better.
If you search the web for the best Sony DSLR for video, you will come across Sony a7 III, known as the best DSLR camera for filmmaking. Known for giving the cinematic look, it is marketed as an “entry-level” full-frame mirrorless camera
Weighing less than a pound with batteries, this mirrorless camera from Fuji is one of the best videography cameras for professionals who want to shoot indoors. While it doesn’t have a headphone jack, it can support other accessories including some great lenses.
There are few things as disappointing as a camera with a bad battery life. The average battery lasts about 10 hours but some can last longer. It depends on a variety of factors such as LCD screens, Bluetooth, GPS, and autofocus. Some features drain batteries and can even harm it in the long-run.
Most cameras record 8-bit video internally. From a quality perspective, it is the same as a JPEG. Consumer-grade raw stills are higher – up to 14-bit. Some professional cameras even go up to 16-bit.
Just about every camera that shoots video supports the common frame rates of 24, 30, and 60 frames per second. But if you’re interested in shooting beautiful slow motion video, you’ll need a camera that supports high framerates. Think 120 fps or 240 fps.
A camera that fails to focus on your subject will rarely provide good footage. There are two options: manual focus and autofocus.
Short for digital single-lens reflex, DSLR cameras are extremely popular and used for both photography and videography. They use a reflex design that sets them apart from your everyday digital camera. Thanks to this design, light travels through a lens and a mirror resulting in higher quality.
On paper, the Canon EOS R5 is arguably the best hybrid camera available today. Adopting a tried-and-tested form factor that’s easy to handle, the R5 serves up blistering performance: a 45MP full-frame sensor is supported by the speedy Digic X chip, paired with Canon’s fastest ever autofocus motor.
The best 4K cameras can record at 60fps or faster, with many giving you the option to also drop resolution to shoot at 120fps for slow-motion footage. Other factors to consider may come down to your skill level, and how you shoot your videos.
Panasonic’s Lumix S1H is the smallest, cheapest camera to make the list of cameras approved by Netflix for use in original productions – which is a measure of just how fantastic its motion picture skills are.
With 4K being a very common spec now, you ’ll find models all the way from beginner-friendly and highly portable mirrorless models all the way up to professional-level models that have been certified as good enough enough for Netflix. If all of that sounds a little bit much to get to grips with, don’t worry, we’ve tested all ...
A substantial upgrade over the Pocket Cinema Camera 6K, the 6K Pro is a fantastic, relatively affordable tool for the professional videographer. With improved battery life, a brighter screen that’s now tilt-adjustable, plus the option of adding an OLED electronic viewfinder, the 6K Pro is a compact yet adaptable maestro.
Although this is a roundup of 4K cameras, 4K itself is no longer the class-leading spec it once was. We’re now seeing an increasing number of models capable of shooting footage at up to 8K. The average person may not need that kind of resolution, but it depends on the kind of work you’re doing.
Quite a bit cheaper than the newer GH5S, the GH5 is a bit more versatile for those wanting to shoot both stills and video, and the video specification is still very impressive, allowing you to shoot Cinema 4K (4096 x 2160) at 60p with a bit rate of 150Mbps, while Full HD video can be captured up to 180fps.