Robert Bernard Altman (/ ˈ ɔː l t m ə n /; February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and producer.Altman is known as a five-time nominee of the Academy Award for Best Director and an enduring figure from the New Hollywood era.. His style of filmmaking covered many genres, but usually with a "subversive" twist which typically relied …
Oct 21, 2016 · Robert Towne Francis Ford Coppola Roman Polanski Question 2: What was Robert Altman’s first television directing job? Type: Multiple Choice Points awarded: 1.00 / 1.00 Your answer(s): •Alfred Hitchcock Presents Correct answer(s): Bonanza
Jul 31, 2016 · Learn more about The Godfather with Course Hero's FREE study guides and infographics! Study Guide. Study Guide. The Godfather ... Robert Altman; Pasadena City College • CINE 7B. Ch5. ... What was Robert Altman's first television directing job? Alfred Hitchcock Presents. Alfred Hitchcock Presents. 25: ...
Made First Feature Film. In the mid-1950s, Altman was approached by the backer of Corn's-a-poppin', Elmer Rhoden, Jr., about making a feature film. The result was The Delinquent, a movie about juvenile delinquency which Altman wrote, produced, and directed.The Delinquent gave Altman his ticket to Hollywood. It was picked up by United Artists for $150,000, and released in …
As a filmmaker, Robert Altman (born 1925) was known as a risk taker and a nonconformist, who was committed at all cost to his own vision. While this led to what many critics consider a highly uneven output, successes like M*A*S*H (1971), Nashville (1975) and The Player (1991) were instrumental in cementing his strong international reputation.
In 1975, Altman produced what many deemed to be the best movie of the 1970s, Nashville. An ensemble piece with more than 20 major characters, Nashville focused on their actions during a weekend in that city. Altman used the business of country music, as well as politics, to satirically comment on contemporary American life via an intersecting set of stories. One element of Nashville that was consistently praised was Altman's use of music, which often underscored the action. An artistic triumph, Nashville was also a box office success.
From the beginning of his film career in the early 1950s, filmmaker Robert Altman has utilized sound in unorthodox and spontaneous ways. He has acknowledged being influenced by the films of Howard Hawks, which he would have seen growing up in Kansas City.
Richard Portman, CAS, who is now teaching sound as the Gordon Sawyer Professor of the Recording Arts at Florida State University, worked as a mixer for Altman from California Split in 1974 through Health in 1980. Impressed with Portman’s previous work, the now late sound editor for California Split, Kay Rose, asked him to mix the film in a then novel multi-track mix.
Re-recording mixer and recordist Matthew Iadarola worked with King on both Kansas City and The Gingerbread Man, as well as on an earlier Altman film, The Player (1992). Describing his role in the post-production process, he says, “I was the re-recording mixer for music and dialogue, the guy at the end of the process. On all three Altman films, I worked closely with the late Geraldine Peroni, the picture editor [and a longtime colleague of Altman’s]. We would put things together, and she knew Altman well enough that she would guide me.”
Portman’s friend and colleague Richard King, who is a sound editor and designer , enjoyed his two-film association with Altman as a supervising sound editor on Kansas City (1996) and The Gingerbread Man (1998)––the latter with Randy Akerson as co-supervisor. Both films were sound edited using ProTools. Altman has a “great way of getting you on his wavelength and doesn’t have any interest in telling you exactly what to do,” says King. “Somehow, he makes you understand what it is he is going for, but quite frankly, he often doesn’t know himself. It’s all an exploration for him. The outcome is not a fixed goal. He’s looking for input from other people.”
Advertisement: Robert Bernard Altman (February 20, 1925 – November 20, 2006) was an American film director, producer, and screenwriter, who came to prominence in the New Hollywood era. He was the most prolific of that generation, the most political and critical director of his time, and the one who retained his independent spirit even when ...
Born in Kansas City, Missouri, Altman was born to a family of German Immigrants and studied at Jesuit schools and at Wentworth Military Academy. During World War II, Altman joined the United States Army Air Forces at the age of 18.
A 22-year-old Altman was an extra in The Secret Life of Walter Mitty (1947). His scene's about twenty minutes into the film, sitting at a bar behind Danny Kaye, pouring a drink, blowing cigarette smoke through his nose, and mugging a little for the camera.
Robert Altman, one of the most adventurous and influential American directors of the late 20th century, a filmmaker whose iconoclastic career spanned more than five decades but whose stamp was felt most forcefully in one, the 1970s, died Monday in Los Angeles. He was 81.
The storyline had to do with a group of boozy, oversexed Army doctors in a front-line hospital, specifically a Mobile Army Surgical Hospital. Fifteen directors had already turned the job down. But at 45, Mr. Altman signed on, and the movie, “MASH,” became his breakthrough.