Value Shift: The movement between the positive and negative values along a global spectrum of value. In life, people don’t usually flipflop between absolute positive and negative values. No one is purely good one minute and purely evil the next.
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To begin our understanding value shift, we have to first recognize that life is constantly shifting along a spectrum of values. Rarely (if ever) is a situation neutral. Think about the conversations you’ve had with your colleagues today, with your family members, neighbours or especially with yourself. It’s easy to miss the value shift in our lives because we’re busy living our lives, not analyzing them.
Value Shift is one of the most challenging parts of Story Grid theory to understand because it speaks to the very heart of story and human nature. That makes it also one of the most crucial aspects to master. Without it, your story isn’t about anything, your reader won’t become engaged and you will have devoted thousands of hours, hammering out a novel that no one (besides your mother) reads. Heartbreaking, right?
In Gladiator, Maximus is shifting along the selling out > success spectrum of value, because this is the core event of the story and the climax of the ending payoff. Since it’s also one of the 15 core scenes that we track on the Story Grid Foolscap, it must turn on the global value. There are positive signs in both columns because he has succeeded without compromise (ultimate positive value in the status > admiration internal content genre story), and power has been restored to Maximus and to society (ultimate positive value in the society > political external content genre story – see the podcast show notes for more information).
Polarity Shift (aka Valence Shift): The polarity shift, or valence shift as it’s also called, is simply the movement from positive (+) to negative (-), or negative (-) to positive (+).
Likewise, characters shouldn’t snap back and forth between extremes because, if they do, they’ll be melodramatic and tiresome. The character of Jonathan Harker does this in the first act of Dracula. Try giving it a read. Then, contrast Stoker’s approach to value shift with that of Vince Gilligan and his team of writers in Breaking Bad. The character of Walter White changes incrementally and the overall effect is a story that is nothing short of riveting.
Global Spectrum of Value: Every story turns on a value, and that value is determined by the author’s choice of global content genre. In other words, every action story will turn on the value of life > death. Every morality story will turn on the value of selfishness > self-sacrifice. But life is rarely black and white. There’s a whole lot of grey area in between which means that these values exist on a spectrum.
A story value is simply a human experience (a judgement of reality) that can change from positive to negative or negative to positive. – Shawn Coyne, The Story Grid: What Good Editors Know, page 120
A value shift is a quick way of describing the change that takes place within a scene.
Let’s say you’re working on an outline for your story and you’ve written down some quick descriptions of what you already know about some of your scenes.
Every genre has one main “value at stake.” This value at stake describes the primary change that's going to take place over the course of the story.
Another way to think about value shifts is in terms of positive or negative answers to your main story question.
Once you finish the first draft of a novel, you can go back through each of your scenes and identify whether or not a meaningful arc of change exists or not.
Hopefully, you can see how viewing each of your scenes through the lens of a value shift can help you write and edit your book.
Need help outlining your novel? The Save the Cat! beat sheet subdivides the …
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