City Noir is a symphonic work by the composer John Adams. A primary inspiration for the piece is the work of historian Kevin Starr on urban California in the late 1940s and early 1950s. The composer characterizes the work as "jazz-inflected symphonic music", citing the French composer Darius Milhaud as originator of this trend.
After an eighteen-month period of writer's block, Adams wrote his three-movement, orchestral piece Harmonielehre (1984–85), which he described as "a statement of belief in the power of tonality at a time when I was uncertain about its future."
John Adams. Although his early compositions were in an academic style, Adams soon began drawing on much broader sources, including pop, jazz, electronic music, and minimalism. His use of minimalist techniques—characterized by repetition and simplicity—came to be tempered by expressive, even neo-Romantic, elements.
In the third grade, Adams took up the clarinet, initially taking lessons from his father, Carl Adams, and later with Boston Symphony Orchestra bass clarinetist Felix Viscuglia. He also played in various local orchestras, concert bands, and marching bands while a student.
Adams’s most ambitious works, however, were his operas. The first two were created in collaboration with the director Peter Sellars, the poet Alice Goodman, and the choreographer Mark Morris. Nixon in China (1987) took as its subject the visit of U.S. Pres. Richard M. Nixon to China in 1972. The Death of Klinghoffer (1991) was based on the hijacking by Palestinian terrorists of the cruise ship Achille Lauro in 1985 and the killing of a disabled Jewish passenger. The composer’s third opera, Doctor Atomic (2005), was the story of the scientists in Los Alamos, New Mexico, who during World War II devised the first atomic bomb. Sellars compiled the libretto from a variety of sources, including the favourite poetry of the Los Alamos physicist J. Robert Oppenheimer as well as declassified government documents of the period.
In a departure from his 2005 statement that “if opera is actually going to be a part of our lives…it has to deal with contemporary topics,” Adams based his fourth opera, A Flowering Tree (2006), on South Indian folktales; again Sellars was his collaborator.
The Chairman Dances, subtitled “Foxtrot for Orchestra,” which was written for Nixon in China but dropped from the final score, became one of Adams’s most-often-played orchestral works.
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Adams published Hallelujah Junction: Composing an American Life, a memoir, in 2008. The Editors of Encyclopaedia Britannica This article was most recently revised and updated by Alicja Zelazko, Assistant Editor.
According to the American composer John Adams , “The precision of his performances and his recordings had a huge effect on following generations of conductors and performers.”….
Adams was the first Harvard student to be allowed to submit a musical composition as a senior honours thesis. After graduation he moved to California, where from 1972 to 1982 he taught at the San Francisco Conservatory of Music.
In the third grade, Adams took up the clarinet, initially taking lessons from his father, Carl Adams, and later with Boston Symphony Orchestra bass clarinetist Felix Viscuglia. He also played in various local orchestras, concert bands, and marching bands while a student. Adams began composing at the age of ten and first heard his music performed as a teenager. He graduated from Concord High School in 1965.
As his, he wrote The Electric Wake for "electric" (i.e. amplified) soprano accompanied by an ensemble of "electric" strings, keyboards, harp, and percussion. However, a performance could not be put together at the time, and Adams has never heard the piece performed.
The Wound-Dresser is scored for baritone voice, two flutes (or two piccolos), two oboes, clarinet, bass clarinet, two bassoons, two horns, trumpet (or piccolo trumpet), timpani, synthesizer, and strings. During this time, Adams established an international career as a conductor.
Adams wrote two orchestral pieces in 1988: Fearful Symmetries , a 25-minute work in the same style as Nixon in China, and The Wound-Dresser, a setting of Walt Whitman 's 1865 poem of the same title, written when Whitman was volunteering at a military hospital during the American Civil War. The Wound-Dresser is scored for baritone voice, two flutes (or two piccolos), two oboes, clarinet, bass clarinet, two bassoons, two horns, trumpet (or piccolo trumpet), timpani, synthesizer, and strings.
In 1977, Adams wrote the half-hour-long solo piano piece Phrygian Gates, which he later called "my first mature composition, my official 'opus one'", as well as its much shorter companion piece, China Gates. The next year, he finished Shaker Loops, a string septet based on an earlier, unsuccessful string quartet called Wavemaker. In 1979, he finished his first orchestral work, Common Tones in Simple Time, which was premiered by the San Francisco Conservatory of Music Orchestra under Adams' baton.
Born in Worcester, Massachusetts , Adams grew up in a musical family, being regularly exposed to classical music, jazz, musical theatre and rock music. He attended Harvard University, studying with Kirchner, Sessions and Del Tredici among others. Though his earliest work was aligned with modernist music, he began to disagree with its tenets upon reading John Cage 's Silence: Lectures and Writings. Teaching at the San Francisco Conservatory of Music, Adams developed his own minimalist aesthetic, which was first fully realized in Phrygian Gates (1977) and later in the string septet Shaker Loops. Increasingly active in the contemporary music scene of San Francisco, his large-scale orchestral orchestral works Harmonium and Harmonielehre (1985) first gained him national attention. Other popular works from this time include the fanfare Short Ride in a Fast Machine (1986) and the orchestral work El Dorado (1991).
He graduated from Concord High School in 1965. Adams next enrolled in Harvard University, where he earned a Bachelor of Arts in 1969 and a Master of Arts in 1971, studying composition under Leon Kirchner, Roger Sessions, Earl Kim, and David Del Tredici.