In Amy Tan’s story “Two Kinds,” the daughter, Jing-Mei “June” Woo, changes from a child into a young woman. She reaches adulthood and a deeper understanding of her mother.
The mother tells her daughter there are only two kinds of daughters: those who follow their own minds and those who are obedient. June tells he mother she wishes she was dead like her twin sisters, who died in China.
The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams.
Two Kinds. What happens in Two Kinds? "Two Kinds" forms one of the sections of Amy Tan's bestselling novel, The Joy Luck Club. In it, June and her mother Suyuan come into conflict when Suyuan becomes determined to make June into a child prodigy.
In the story "Two Kinds," we see that the daughter, Jing-mei, changes greatly throughout the course of the story. At the beginning of the story, Jing-mei is very angry towards her mother. This is a consequence of the mother's deep desire to turn her daughter into a genius or a prodigy.
Select the correct answer. What can be inferred from these lines describing the pardoner in Chaucer's prologue to The Canterbury Tales? He had a fine …
I've found online that this question refers to Amy Tan's short story "Two Kinds".
From the onset, the daughter had desired to grow up to her mother's anticipation. She, at all times kept doing her best and after she did win her mother wasn't well pleased. She came to the reality that it is impossible to satisfy her mother and make up to her anticipation to grow into the Chinese Shirley Temple.
Read the excerpt from a summary of “The World on Turtle’s Back.” [1] The twins had opposite natures: the right-handed twin was truthful, and the left- …
The story " Two Kinds " takes place over a relatively short time span, and Jing-mei does a massive shift in her personality that drives a huge wedge between Jing-mei and her mother. When the story first begins, readers are told that Suyuan believes that a person can become anything and do anything in America if the desire and work ethic are both present. Suyuan believes that Jing-mei can be a rich and famous child prodigy like Shirley Temple, and Jing-mei is caught up in the enthusiasm and believes it too. To her credit, Jing-mei works very hard at each form of child prodigy, but her mother's continual looks of disappointment begin to dishearten Jing-mei. Eventually, Jing-mei decides that she has had enough of it, and she wants to pursue her own desires.
In Amy Tan ’s story “Two Kinds,” the daughter, Jing-Mei “June” Woo, changes from a child into a young woman. She reaches adulthood and a deeper understanding of her mother.
When June realizes the amount of practice needed to become a talented pianist she begins to question her mother’s motives. June is aware she does not have the innate talent of a prodigy. She fails during her piano recital and her internal conflict comes to light.
June based her self-worth on pleasing her mother and becoming the perfect child.
Jing-Mei Woo and her mother are the major characters in Amy Tan’s “Two Kinds.” The two have a complicated mother-daughter relationship at the beginning of the story, but later, as an adult, Jing-Mei realizes the intentions of her mother. “Two Kinds” is told from Jing-Mei’s point of view as a mature adult who is reflecting on her childhood. Jing-Mei’s thoughts and feelings are revealed, but she and her mother, the antagonist, have conflictingly opposite desires. Jing-Mei’s mother desires for her
These include; Chinese versus American culture, a parent’s wishes versus her child’s wants, and the pursuit of material success versus contentment. However, this essay will only address the conflict between the story’s mother and her daughter’s personalities. Theirs is a struggle with old-world pride against new age independence.name the characters. But the author takes pains to show their good qualities as well, so the
In her short story "Two Kinds," Amy Tan utilizes the daughter's point of view to share a mother's attempts to control her daughter's hopes and dreams, providing a further understanding of how their relationship sours. The daughter has grown into a young woman and is telling the story of her coming of age in a family that had emigrated from China. In particular, she tells that her mother's attempted parental guidance was dominated by foolish hopes and dreams. This double perspective allows both the naivety of a young girl trying to identify herself and the hindsight and judgment of a mature woman.
Hernandez Professor Ali ENC 1102 March 20, 2014 Amy Tan' s, “Mother Tongue” and Alice Walker's “Everyday Use” both share similar traits in their writings of these two short stories. “Mother Tongue” revolves around the experiences Tan and her mother had due to her mother's English speaking limitations, she also revolves her story around the relationship of a mother and daughter. Alice walker on the other hand writes a story narrated by “Mama” the mother of two daughters Maggie and Dee and explains the conflicting
It was Emerson who said it best, “For nonconformity, the world whips you with its displeasure” (Porter 1155). With a detailed look of Amy Tan’s “Two Kinds” and John Updike’s “A&P,” you will find that this quote is entirely applicable in the context of oppressiveness and in the likeness of “coming of age.” These two stories document the different perspectives of two characters’ growing up and how the role of the invisible hand of oppression guides developing adolescents into mature adults; without
Amy Tan's short story "Two Kinds" tells of the conflict between a Chinese-American girl named Jing-mei and her immigrant mother due to cultural differences. Throughout a portion of Jing-mei's childhood, her mother recognized her potential and was stricken with the belief that she should've used whatever natural talent or ability that she might've had to become a child prodigy. Jing-mei's mother tried a handful of things in hopes of discovering her talent, including acting, intellectual tests, and
The protagonist, Jing-mei, is a first-generation American, and she narrates the story as a retrospective look back on her childhood in the wake of her mother’s death.
“Two Kinds” is Jing-mei Woo's reflection on her mother’s efforts to make her into a child prodigy. Jing-mei’s mother left China under traumatic circumstances in 1949, leaving behind her entire family, including her two infant daughters. After settling in San Francisco, California, she fully embraced the attitude that anything was possible in the United States. She tried to instill this belief in Jing-mei by telling her that she can be a child prodigy.
Jing-mei’s mother’s initial efforts to make Jing-mei into a child prodigy involve trying to make her into a “Chinese Shirley Temple.” This results in Jing-mei receiving a “peter pan” haircut after an apprentice hairdresser fails to give her curls like Shirley Temple. Jing-mei dreams of one day becoming the “perfect” prodigal daughter that her mother believes she can be. However, she worries that if she does not discover her hidden talents soon, her inner prodigy will “disappear” and she will “always be nothing” in her mother’s eyes.
Jing-mei frustratedly exclaims that she will never be the type of daughter that her mother wants her to be, to which her mother responds that there are only two types of daughters: those who are obedient and those who are willful. Jing-mei’s mother asserts that only obedient daughters are welcome in her house.
Jing-mei initially does not pay much attention to her mother’s newfound hopes, believing that their family is too poor to afford something as expensive as piano lessons. But her mother is determined and arranges to clean the apartment of Mr. Chong, a retired piano instructor, in exchange for piano lessons for Jing-mei.