Orson Welles - If you want a happy ending, that depends... If you want a happy ending, that depends, of course, on where you stop your story. Cinema is the most beautiful fraud in the world.
I don’t think a happy ending should be one of the requirements of a children’s book. Kids want their books to reflect reality. They know that the bully doesn’t always get his comeuppance in the end. It’s easier to identify with loss than love, because we have had so much more experience of it.
The “happy endings” of Hollywood films link them with the world of fairy tales, which are often about the achievement of perfection. Fairy tales frequently end with a statement of perfection, like “and they lived happily ever after”. Fairy tales bring the shattered family back into balance, back to completion.
Weddings are a popular way to end stories. Marriage is a new beginning, the end of an old life of being single and the beginning of a new life as part of a new unit. New beginnings are perfect and unspoiled in their ideal form. Striking up a new relationship is another way to show a new beginning at the end of a story.
Orson Welles“If you want a happy ending, that depends, of course, on where you stop your story.”
A happy ending isn't always necessary. A happy ending is just one of the many possibilities we have at our fingertips. It's easy to think that we have to end things in a pleasant, positive way. Yet, as writers, we are never tied down.
The happy ending is when the main character ends up with the love interest. It's the ending that has almost every conflict tied up in the most satisfying way for the reader and for all the characters involved. There is nothing wrong with a happy ending.
A satisfactory ending is a conclusion that resonates with you, that you feel is the natural conclusion of this long story you've been reading/watching and brings out an emotional response in you that doesn't involve disappointment.
Because happy endings provide hope, instilling the belief that obstacles can be overcome, love can last, fences can be mended, and good can triumph. Writing books with happy endings: this, too, is a fine and noble occupation for a writer.
For the uninitiated, a “happy ending” is exactly what it sounds like: an orgasm for the client, courtesy of the masseuse, at the end of the massage. Weirdly enough, while the rest of the beauty industry is largely dominated by female clientele, it's a service almost exclusively aimed at men.
The story won't feel complete if the ending is unbelievable. The biggest reason why sad endings are better than others at times is because it simply makes more sense. Happiness isn't always the answer.
The six types of story endings include:Resolved ending.Unresolved ending.Expanded ending.Unexpected ending.Ambiguous ending.Tied ending.
An epilogue is the final chapter at the end of a story that often serves to reveal the fates of the characters.
The sound and music are 50% of the entertainment in a movie. George Lucas. Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director.
James Cameron. The difference between life and the movies is that a script has to make sense, and life doesn't. Joseph L. Mankiewicz. You know what your problem is, it's that you haven't seen enough movies - all of life's riddles are answered in the movies.
There is a Slice of Life story about childhood and coming-of-age. The main character has a best friend (an animal, another child, or a family member) who is a source of joy, wisdom, and understanding in their life. This friend is often frailer, more unworldly, or otherwise more “special” than The Protagonist.
The “happy endings” of Hollywood films link them with the world of fairy tales, which are often about the achievement of perfection. Fairy tales frequently end with a statement of perfection, like “and they lived happily ever after”. Fairy tales bring the shattered family back into balance, back to completion.
In a carnivalesque story, the lowest in societal hierarchy — in the medieval carnival a fool, in children’s books a child — is allowed to change places with the highest: a king, or an adult, and to become strong, rich, and brave, to perform heroic deeds, to have power. However, the very idea of carnival presupposes a temporal limitation.
The sound and music are 50% of the entertainment in a movie. George Lucas. Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you're a director.
James Cameron. The difference between life and the movies is that a script has to make sense, and life doesn't. Joseph L. Mankiewicz. You know what your problem is, it's that you haven't seen enough movies - all of life's riddles are answered in the movies.