If you want to publish a compelling book in a short amount of time, compiling an anthology can be a fantastic solution. As the primary author, you reap all of the rewards of writing a book without having to write the entire manuscript. There are many reasons why anthologies make great book projects:
Though some commercially-produced anthologies (like Chicken Soup for the Soul) pay contributors $100 to $200 if their work is chosen for the book, if that’s not in your budget you could provide contributors with a couple of complimentary copies of the book, plus recognition, and offer a discount if they decide to purchase additional copies. 7.
Anthology customers of all skill levels can benefit from the Anthology Academy curriculum, which is available to all customers.
The entire process of compiling an anthology can bring exposure to your business. When you post a call for submissions along with a link to your website, you introduce your business to a new audience. Even those who don’t contribute are suddenly introduced to your company.
An excerpt from a work cannot be more than 1,000 words or 10 percent of the work, whichever is less. Students may copy portions of books under the fair use copyright exemption, provided copying is not being used as a substitute for buying a textbook.
Contrary to what many people believe, there is no absolute word limit on fair use. For example, copying 200 words from a work of 300 words wouldn't be fair use. However, copying 2,000 words from a work of 500,000 words might be fair. It all depends on the circumstances.
However, where works are not available under licence, a teacher may photocopy extracts from works without worrying about copyright infringement, as long as they copy no more than 5% of the work per annum.
Fair Use Guidelines for Students You can use up to 10%, but no more than 1000 words, of essays, articles, or stories, of a single copyrighted work. You can use up to 250 words of an entire poem, or a portion of a poem.
Since copyright law favors encouraging scholarship, research, education, and commentary, a judge is more likely to make a determination of fair use if the defendant's use is noncommercial, educational, scientific, or historical.
Unfortunately, quoting or excerpting someone else's work falls into one of the grayest areas of copyright law. There is no legal rule stipulating what quantity is OK to use without seeking permission from the owner or creator of the material.
Up to 10% or one complete chapter of a book, plus any associated endnotes or references. E.g. if a chapter comprises 25% of a book, you can photocopy the entire chapter; but if you want to photocopy extracts from more than one chapter, you can only copy up to 10% of the book.
Under those guidelines, a prose work may be reproduced in its entirety if it is less than 2500 words in length. If the work exceeds such length, the reproduced excerpt may not exceed 1000 words, or 10% of the work, whichever is less.
Instructors may not: copy sheet music or recorded music for the purpose of creating anthologies or compilations used in class. copy from works intended to be “consumable” in the course of study or teaching such as workbooks, exercises, standardized tests and answer sheets, and like material.
Fair use explicitly allows use of copyrighted materials for educational purposes such as criticism, comment, news reporting, teaching, scholarship, and research.
The four factors of fair use:The purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes. ... The nature of the copyrighted work. ... The amount and substantiality of the portion used in relation to the copyrighted work as a whole.More items...
Fair use is a legal doctrine that says you can reuse copyright-protected material under certain circumstances without getting permission from the copyright owner.
Master’s degree programs in this field usually consist of 30–40 credit hours and take around two years to complete. Your master’s program will allow you to choose a specialization from topics like biological anthropology, linguistic anthropology, and sociocultural anthropology. Most programs will include a thesis or capstone project requirement, where you’ll conduct original research in your area of interest.
An associate degree in anthropology is an excellent way to explore the field while earning general college credits. An anthropology degree at the associate level will not qualify you for higher–level positions in the field, but it can be a good steppingstone on your career path. This degree usually consists of 60 credits and takes students about two years to complete. An associate degree in anthropology will help you develop an understanding of the discipline and build a base of pertinent skills for your future job or subsequent degree.
An AA degree includes more core courses in arts and humanities alongside your anthropology courses, while an AS degree focuses more on supplementary science and math study alongside your major coursework. To get started, check out these online program rankings: The 50 Best Community Colleges in the United States.
A bachelor’s in anthropology degree will prepare you for a variety of jobs in the field and will include more in depth study than an associate degree program. Some bachelor’s degree programs will offer specializations within the study of anthropology, including specialties like archeology, bicultural studies, or culture and linguistics.
To find out if a college or university on your list is regionally accredited, check the Department of Education’s Database of Postsecondary Institutions and Programs.
A bachelor’s degree in anthropology prepares you for work in journalism, advocacy, or museum curation. A master’s degree in anthropology prepare you for leadership roles in many fields and industries. A Ph.D. in anthropology will qualify you to lead groundbreaking research teams or teach at the university level.
A master’s in anthropology degree can prepare you for a career in the field, often giving you an advantage over professionals who only hold a bachelor’s degree. Master’s degree programs in this field usually consist of 30–40 credit hours and take around two years to complete. Your master’s program will allow you to choose a specialization from topics like biological anthropology, linguistic anthropology, and sociocultural anthropology. Most programs will include a thesis or capstone project requirement, where you’ll conduct original research in your area of interest.
Anthology contracts and releases (sometimes titled “Permission to (Re)Print”) are generally shorter than contracts for book-length works, but they still need to address the relevant legal issues. Also, the contract (or release) must be in writing—emails documenting the parties’ “understanding” are not sufficient and often won’t stand up in court.
If the author transfers copyright to the anthology publisher, the author no longer owns the work and cannot use or publish it in other contexts (without permission, which the publisher then has the legal right to withhold at will). Most anthology publishers don’t try to take ownership of the contributors’ works; don’t submit to anthologies that do.
Anthologies offer writers an excellent platform for shorter works and create opportunities for reader cross-pollination. When managed and published properly, anthologies have many benefits and relatively few drawbacks for authors. However, authors do need to ensure–before submitting or signing a contract–that the anthology publisher is offering industry-standard contract terms and proper legal protection for the contributing authors and their works.
Most anthologies don ’t require participating authors to purchase copies of the finished work or mandate author participation in marketing activities. Although many authors choose to purchase copies and to help with marketing for the finished work, these should be the author’s choice—and not required by contract.
Some anthologies pay participating authors for their contributions, either on a flat fee basis or by means of a royalty share. Other anthologies don’t compensate contributing authors financially; however, many non-paying anthologies donate the sales proceeds to charity or to the nonprofit organization that sponsored the publication.
Anthology publishers need only a limited license to publish the contributed works as part of the anthology – and the contract should expressly limit the publisher’s use of the work to its inclusion in the relevant anthology or collective work.
There’s nothing inherently “wrong” with contributing works to anthologies that don’t pay fees or royalties, as long as you (the contributing author) understand and agree with the way the anthology’s profits will be handled. As long as the contract (or your communications with the publisher or sponsor) describes where the money is going—and you trust the publisher to follow through—the decision whether or not to contribute a story to a non-royalty-bearing anthology is a business decision for the author.
If you’re anxious to get a book done quickly and you can round up a good number of contributors (which you can—keep reading!), you can compile an anthology in a matter of weeks.
Just as a business cannot thrive without marketing, it is essential to put effort into marketing your anthology book. Ideally you want to create a solid marketing plan that includes many elements such as social networking, online marketing, media interviews, article reprints, book reviews and much more.
How to Compile Your Anthology. 1. Choose a theme for your book. For example, if you are a business coach who specializes in sales skills, you could compile a book of success stories from people who have grown their businesses by improving their sales processes.
Though your book may be a collection of contributions from others, it should also include a significant contribution from you—the author! Here are elements to include: 1 Write an introduction at the beginning of the book to engage readers and let them get to know YOU. Invite them to contact you via e-mail or visit your website. 2 Include your own personal story, similar to those submitted by others. 3 Consider adding a summary or comment before or after each submission to clarify key points or offer additional information and resources. 4 At the end of the book, include an “About the Author” page with a brief bio about you. Always includes links to your websites and relevant contact information. This is a good place to include a call to action such as “Sign up for our newsletter at www…” or “Quantity discounts are available. Call us today to purchase additional copies for your clients!”
Each contributor to the book automatically becomes a marketing agent. Most will want to help spread the word by telling friends, family and colleagues about it. You can help this process along by providing contributors with a list of suggested ways to assist with promotion (announce it on their blog, sell through their website, post to social media, e-mail announcements, etc.).
A typical manuscript for a trade paperback averages around 60,000 words. If you invite people to contribute stories of up to 1,500 words (about three typed pages), and you write an introduction and some related commentary throughout the book, you will probably need 30 to 40 contributors. If you accept longer stories, you’ll need fewer contributors.
The interior layout of a book is also an important element that requires more work than most people realize. Page numbering needs to be verified, headings need to be consistent, fonts need to be readable, chapters should begin on the right side of the page, along with many other details.
When the baby boomers of my generation were living through the 60s and 70s, we didn’t have a perspective on our experiences—life-altering events like the death of JFK, the Viet Nam war, the death of Martin Luther King and Bobby Kennedy, riots at the Democratic convention, students killed at Kent State, the demonstrations for civil rights, free speech, women’s rights, and mass marches to end the war.
At the time of our lunch, neither of the women worked outside the home so I knew they must have cobbled the money together somehow. When I asked why they had such compassion and generosity toward a girl they had never met, the sisters glanced at each other tenderly. First one, then the other, responded, with my aunt speaking first.
Anthology contracts should contain at least two clear statements of copyright: A declaration that copyright in the author's work remains the sole property of the contributing author; and.
The reason for this second clause is to ensure that no one else can infringe the publisher's copyright by reproducing or publishing "pirated" (i.e., infringing) copies of the anthology without permission. A statement of the publisher's ownership in the collective work gives the publisher the sole right to produce that collective work.
To repeat: The publisher doesn't need to own the copyright in your work in order to publish the work as part ...