Jan 12, 2016 · One of the arguments made in favor of Creon being the more tragic character is that he does, in fact, change over the course of the play, while Antigone, despite experiencing changes in external ...
The general tone of this scene, whilst shifting, is ironic. The tone sheds Creon in a bad light with the reader and sets him up as a flawed character from the start of the play. The shifts in tone serve as a vehicle for the reader to experience Creon’s explosive temper and ever changing mood. Sources Antigone – Sophocles
Feb 13, 2012 · In the play 'Antigone', Theban King Creon changes his mind because of the prophecies of Teiresias the blind prophet. The King doesn't want to hear the truths that Teiresias tells him. He becomes insulting and threatening. So Teiresias tells him the woeful consequences of cruelty, pride, and stubbornness. Once he realizes the doom and gloom in store for him and …
Haemon's arguments to Creon do not fundamentally change over the course of their interaction. What does change is the bond between son and father. Haemon enters claiming to …
Throughout Antigone, Creon changes from a hot-tempered, prideful man that puts his will above the laws of the gods to a broken man praying for a swift...
This decision, as well as the tone of his speech about the ideal ruler he hopes to be, makes clear Creon's tendency toward arrogance and pride — characteristics that will become even more apparent as the play progresses. Sophocles uses dramatic irony to great effect here.
repentantWhat is Creon's attitude at the end of the play? He is repentant. He wants to kill himself, because he knows that everything that has happened is his fault alone.
In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus's power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.
Creon's tone in his opening speech is strongly ironic. This irony can be found when he says “ No ruler can expect complete loyalty from his subjects until he has been tested in office,” (Creon) when he then demands their complete loyalty in the desecration of Eteocles' body without any such test.
Tragic, Sympathetic, Foreboding, Ironic.
Angry and intent on his will, Creon appears the epitome of the bad, ruthless leader, impervious to the laws of the gods or humanity. As the king of Thebes in Antigone, Creon is a complete autocrat, a leader who identifies the power and dignity of the state entirely with himself.
Creon's tragic flaw throughout the entire story is pride. His pride causes his own family to turn against him and his laws to do what they believe is best. Even when people would try to advise him on his mistakes, he was too prideful to even consider them.
A practical man, he firmly distances himself from the tragic aspirations of Oedipus and his line. As he tells Antigone, his only interest is in political and social order. Creon is bound to ideas of good sense, simplicity, and the banal happiness of everyday life.
In Sophocles's play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash.
What does Creon's counterargument to Oedipus's charges reveal about Creon's character? When Oedipus accuses him of treason, Creon manages to keep his anger in check and reveal a firm capacity for reason. Sensibly enough, Creon points out that he shares the actual power in the state equally with Oedipus and Jocasta.
Oedipus replies that he already sent his brother-in-law, Creon, to the oracle at Delphi to learn how to help the city. Creon returns with a message from the oracle: the plague will end when the murderer of Laius, former king of Thebes, is caught and expelled; the murderer is within the city.