Can you hear how the musical texture is formed from block chords? Each of the voices change notes at the same time. You can still clearly hear the melody line being sung, but the different voices are singing in harmony to produce a chordal accompaniment. Many modern hymn tunes are homophonic and homorythmic. Melody and Accompaniment
· In music, texture is basically a way to describe how the music or sound is organized. It can be thought of as how many layers a piece of music has – it’s how much stuff …
how does texture of the music change over the course (10) more voices enter creating a fuller polyphonic texture. ... the thematic material in this excerpt alternates between which two …
Correct Answer(s)All the words in the text are sounded together. All the melodic lines move together in the same rhythm. Incorrect Answer(s)It is only a part of instrumental music. The …
the texture is heterophonic with instruments and voice sounding nearly, but not exactly, the same.
What is the texture of the selection; that is, what is the relationship between the melody and the remainder of the body of sound? Heterophonic--simultaneous occurrence of different version of the same melody. What contributes to diversity within Latin America?
How does Palestrina enhance the harmonic language of the phrases "Adoramus te" and "Glorificamus te?" With both phrases, he begins with a consonance, moves to a dissonance, and then resolves back to a consonance.
The audible change before the very end of the piece is all the voices moving together in the same rhythm.
What best describes the relationship among the four voices (the texture) in this excerpt? The highest voice sings the melody and the other three harmonize with it, with all voices changing syllables at the same time.
Texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices.
Which statement best describes the tempo of the cadenza? * The tempo varies with many pauses. How does the return of the opening theme after the cadenza differ from the very beginning of the movement?
church useMuch of the instrumental dance music composed during the Renaissance was intended for church use.
What musical device does the organ play in long, slow notes? How are these two excerpts similar? Both use ostinato.
The texture is monophonic (even though several singers are participating, there is only one melody), there is no consistent pulse, and the melody is based on a church mode (Dorian to be specific).
homophonicClassical music has a lighter, clearer texture than Baroque music and is less complex. It is mainly homophonic—melody above chordal accompaniment (but counterpoint by no means is forgotten, especially later in the period).
homophonic textureMelody and accompaniment is a kind of homophonic texture, where the tune predominates above a supporting harmony elaborated by arpeggios or a jump-bass pattern rather than a strict chordal arrangement.
Musical Texture refers to how different layers of a piece of music are combined to produce the overall sound. There are four music textures that you need to understand: Monophonic. Homophonic.
Have a look at this visual diagram of a monophonic texture (the blue line is the solo melody):
After 30 seconds, 3 vocalists are singing together in a homophonic and homorhythmic texture. You can hear the chordal sound produced. After 38 seconds, the other vocalists join in singing various different vocal and percussive parts – the texture has become more complex, but it is still broadly homophonic.
Polyphony is typical of music in the Renaissance period and in the Baroque period where a contrapuntal texture was very common. One of the most common forms of polyphonic texture is the fugue.
Melody and Accompaniment was used a lot in the Classical period and is also very common in contemporary popular music. Any song where the singer is accompanied by an instrument (s) (usually a piano or guitar) is an example of melody and accompaniment and can be considered to be a homophonic texture.
Each of the voices change notes at the same time. You can still clearly hear the melody line being sung, but the different voices are singing in harmony to produce a chordal accompaniment.
This type of homophonic texture is technically known as homorhythmic because all of the rhythms of the accompaniment match the rhythms of the lead melody line . Have a listen to this version of Silent Night by the acapella group Pentatonix: If playback doesn't begin shortly, try restarting your device.
However, the most common terms to describe texture in music all describe how many voices, or parts, a piece of music has, and how the melodic part relates to the harmonic parts.
Texture is one of those words that we often hear in relation to music. It can be confusing, because in other aspects of life, texture is defined by what we can feel with our hands, and music is not a physical object we can hold and touch. Instead, texture in music deals with the overall quality of sound in a piece of music.
However, most polyphonic music is found in Renaissance or Baroque music, and particularly the works of Johann Sebastian Bach. Bach was famous for his work with counterpoint, which is a type of polyphony in which two musical lines are distinct in both melody and rhythm but connected in their harmonic relationship.
Many simple songs we learn as children are monophonic – for example, the “Alphabet Song” or “Happy Birthday”.
A classic example of polyphonic texture in a Bach piece is his “Fugue No. 17 in A-Flat Major”:
The two other kinds of texture can be made polyphonic if a second, countermelody is introduced to the music. For example, think of a solo violin or a backing vocalist playing or singing an additional melody on top of the current refrain.
Like with the songs “Row, Row, Row Your Boat” or “Frère Jaques”, rounds are when everyone sings the same melody, but beginning at different times, creating the feel of multiple separate melodies. The two other kinds of texture can be made polyphonic if a second, countermelody is introduced to the music.
A polyphonic texture has a single melodic line.
The melodic lines are set in counterpoint to each other.
The term harmony refers to the horizontal aspect of music.
Tempo is an Italian universal musical term that refers to the speed at which a music composition is played.
One difference between a Renaissance Mass and a motet is: A Mass is always based on a specific text that is part of the liturgy of a given day.
There are three beats in each measure.