Aug 17, 2021 · Using Armstrong instead of just featuring jazz soloists has led to better band performances. Armstrong wound his phrases gently over the course of his cornetists rather than staccato pieces, hence his usage of the legato phrase. Every note count, space usage, solos built to climaxes, and “told a story” were hallmarks of his playing.
Louis Armstrong and Ella Fitzgerald first recorded together in 1946, for Decca. At that time, Ella – then 29 – was a rising star of the contemporary jazz scene, having broken out with drummer ...
Jan 01, 1956 · Ella Fitzgerald & Louis Armstrong. Jazz · 1956. Ella Fitzgerald was early in her historic run on Norman Granz’s Verve label when she was paired up with the great Louis Armstrong in the summer of 1956 for Ella and Louis. Their Porgy & Bess album followed soon after, as did Ella and Louis Again (all of it collected on The Complete Ella and ...
Nov 07, 2016 · Louis Armstrong’s road to cultural acceptance was long. In 1932, the year the “Ella and Louis” song “April in Paris” was composed, Armstrong appeared in the short film “A Rhapsody in Black and Blue” dressed in a leopard skin, as court musician for a bubble-filled dreamscape called Jazzlandia. His playing is as incredible as the film’s racist conceit.
Ella Fitzgerald was one of the great voices of jazz. Throughout her career spanning over five decades, she contributed to defining different styles, such as swing and bebop, and recorded over 100 albums. She was the first African-American singer to obtain a Grammy Award.Apr 25, 2017
Louis Armstrong's improvisations permanently altered the landscape of jazz by making the improvising soloist the focal point of the performance. From the beginning of his career as a bandleader, Armstrong created ensembles to showcase his spectacular trumpet playing.
In addition to popularizing scatting, Armstrong's relaxed phrasing in his singing, which like his trumpet playing made perfect use of space, was a revelation to other vocalists. He altered melody lines to give them catchier rhythms, and changed lyrics when it suited his voice and his conception of the song.Aug 18, 2020
Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band.
Armstrong created a loose, free, informal, virile and swinging vocal style that influenced Billie Holiday, Ella Fitzgerald, Frank Sinatra and every great jazz and pop singer that came after him. Even Bing Crosby, who was also developing a new vocal style in the late 1920s, found inspiration in Armstrong's singing.Aug 5, 2021
Armstrong changed the jazz during the Harlem Renaissance. Being known as "the world's greatest trumpet player" during this time he continued his legacy and decided to continue a focus on his own vocal career. The popularity he gained brought together many black and white audiences to watch him perform.
Grammy Award for Best Vocal Performance, MaleIndependent Music Award for Best Album - ReissueGrammy Hall of FameGrammy Lifetime Achievement AwardLouis Armstrong/Awards
In the 1920s, Armstrong performed with a number of different musical groups, and began to revolutionize the jazz world with his introduction of the extended solo.Jul 6, 2005
What is Louis Armstrong famous for? Louis Armstrong is considered the leading trumpeter and one of the most influential artists in jazz history, who helped develop jazz into a fine art.Mar 21, 2022
Louis Armstrong and Ella Fitzgerald first recorded together in 1946, for Decca. At that time, Ella – then 29 – was a rising star of the contemporary jazz scene, having broken out with drummer Chick Webb’s group six years earlier. Louis, on the other hand, was 45 and, despite the decline in popularity of both New Orleans jazz and big band swing, ...
The old adage that opposites attract couldn’t be more apt in the case of Ella Fitzgerald and Louis Armstrong, whose album collaborations for Verve Records, in the late 50s, ...
Armstrong, evidently, was fond of the music the duo had recorded, and in 1968, during a tour of England, he appeared on the long-running BBC radio show Desert Island Discs, on which each guest is asked to pick eight treasured recordings that would give them solace if they were to become castaways.
The pairing of the two singers was, perhaps, a musical marriage of convenience: the young aspirant seeking credibility and validation in the jazz community by forging a union with a bona fide legend (the man who had practically invented scat singing) and someone who was regarded as jazz’s most august elder statesman.
Among his picks, Armstrong selected “Bess, You Is My Woman Now,” his 1957 duet with Ella from their Porgy & Bess album. What makes the couple’s duets so pleasing to the ear is the conversational informality of their vocal exchanges.
The finest duetting in jazz: Ella And Louis to Porgy And Bess. The first album came out as Ella And Louis, in November 1956, and with its impeccably delivered blend of show tunes and standards, it quickly won acclaim and became a bestseller.
Granz was the mastermind behind the successful Jazz At The Philharmonic series of concerts, which he first began in 1944, and then later evolved into star-studded package tours that eventually ventured as far as Europe and even Japan.
The next day, Fitzgerald and Armstrong met at the new Capitol Studios in Hollywood for a recording session. “My idea was to record the two of them as much as I could,” Granz said later, “because I had all kinds of ideas for utilizing Louie with Ella.”.
The first of three successful collaborations between Ella Fitzgerald and Louis Armstrong, “Ella and Louis” is nearly perfect. It is one of those works of art — and they don’t come along often — that seems to have always existed.
“A Panoramic True High Fidelity Record.”. On the spine is the album’s title: “Ella and Louis.”. The first of three successful collaborations between Ella Fitzgerald and Louis Armstrong, “Ella and Louis” is nearly perfect.
Louis Armstrong’s road to cultural acceptance was long. In 1932, the year the “Ella and Louis” song “April in Paris” was composed, Armstrong appeared in the short film “A Rhapsody in Black and Blue” dressed in a leopard skin, as court musician for a bubble-filled dreamscape called Jazzlandia.
Photo via The Jazz Word. On August 15, 1956, the JATP performance at the Hollywood Bowl became the best-attended event of the venue’s history even though, eleven years before, they told Granz they would never host an event with the word “jazz” in the title.
Granz’ philosophy was simple: he considered many jazz greats as world class artists, and believed they should be paid as such. Accordingly, in 1944, he established Jazz at the Philharmonic in Los Angeles, bringing a nightclub jam session to a concert venue. The show was a sellout, and the live recording a best-seller.
Fitzgerald is at the top of her form as a vocalist on “Ella and Louis.”. Her diction and pitch are perfect. She is the wind under a falling autumn leaf on “Moonlight in Vermont,” despite the non-rhyming and occasionally clunky lyric (for some reason, every verse is a haiku).
Concurrent to his outset of his official career, he discovered a new world: that of Richard Wagner. Strauss would begin to dissect the genius within Wagner. This was not the first time Strauss showed interest of Wagner. One of the first times he began showing interest in Wagner was in 1874, when he heard operas by Wagner. At that time, his father forbade him from to study Wagner’s music until he was the age of 16.
The Bebop era was based on nonfunctional music it was either played at a very fast or very slow pace, neither paces allowed its listener to dance. Bebop was mainly for the artist satisfaction of difficult rhythmic changes; its focus was entertainment. Bop was also known for its fantastic artists like Charlie Parker and Dizzy Gillespie, it was also ideal because of the location of a performance. Where did Bebop get its name?
When he was young, he was a violent hoodlum, but with practice and training, Biff Wilcox has set us all an example of how to change yourself for the
Ella Fitzgerald had an everlasting impact not only te sound of Jazz but also who performed it. She was named the “First Lady of Jazz” for a reason, which was that she was the first successful woman to perform jazz music. A symbol that emerged from the jazz era was that of a “flapper”.
She was most known for the art of scat. Fitzgerald was honored with 13 Grammy awards, the National Medal of Arts, and many other awards. She’ll go down in history as the first black woman to win a Grammy.
She made generous donations to organizations for disadvantaged youths. In 1987, United States President Ronald Reagan awarded Ella the National Medal of Arts. Several years later she was given the Commander of Arts and Letters award.
They say that courses to develop “perfect pitch” do not produce, even after years of practice, the facility that some children possess naturally. Using the test and analyzing family trees, he has found evidence that perfect pitch follows what geneticists call an autosomal dominant inheritance pattern.
Those with perfect pitch identified randomly generated tones with 100 percent accuracy. The outlier was about 67 percent accurate. The rest of the participants did as well as random chance, about 8 percent accurate.
The ability to identify a note on the musical scale without a single reference point – known as absolute or perfect pitch – is a rarity even among musicians, but new studies with infants suggest that everyone may begin life with this remarkable talent.
However, a lot of people with perfect pitch will have problems similar to normal people: having a limited vocal range or not being able to sing with their diaphragms, and having bad singing techniques that can damage their voices. All of the reasons above can make a person with perfect pitch be a bad singer.
“You could hear a rat piss on cotton.”. Fitzgerald was 17 years old, and she had already faced severe racial discrimination.
In 1955, Fitzgerald’s career received a major boost when Marilyn Monroe pressured the owner of Sunset Strip’s famed Mocambo to book the singer. “After that, I never had to play a small jazz club again,” Fitzgerald later recalled.
They were part of the Great Migration that brought blues and jazz to Northern cities. Fitzgerald grew up sneaking into Harlem’s ballrooms to hear Duke Ellington and Louis Armstrong. Then at age 13, her mother died. Fitzgerald was devastated.
Fitzgerald escaped and made her way back to Harlem, where she slept on the streets. She stepped onstage at the Apollo’s amateur night as part of a dare and had originally planned to do a dance routine. The year after her Apollo debut, Fitzgerald performed at Yale University with Chick Webb’s orchestra.
Robbins had promised Fitzgerald that the interview would air “all over the world.”. Instead, for reasons unknown, it was shelved and forgotten until author Reggie Nadelson discovered the recording in 2018 at the Paley Center for Media.
Miles Davis is Attacked, Beaten & Arrested by the NYPD Outside Birdland, Eight Days After the Release of Kind of Blue (1959) Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness. by Josh Jones | Permalink | Comments (0) |.
Miles Davis is Attacked, Beaten & Arrested by the NYPD Outside Birdland, Eight Days After the Release of Kind of Blue (1959) Josh Jones is a writer and musician based in Durham, NC.
The collaborations between Ella Fitzgerald and Louis Armstrong have attracted much attention over the years. The artists were both widely known icons not just in the areas of big band, jazz, and swing music but across 20th century popular music in general. The two African-American musicians produced three official releases together in Ella and Louis (1956), Ella and Louis Again (1957), and Porgy and Bess(1959). Each release earned both commercial and critical success. As well, track…
Ella Fitzgerald (April 25, 1917 – June 15, 1996) was an African-American jazz vocalist often referred to by honorific nicknames such as the "First Lady of Song" and the "Queen of Jazz". "Lady Ella" attracted notoriety for her purity of tone, impeccable diction, lyrical phrasing, and vocal intonation; her instrument-like improvisational ability with her voice, particularly in her scat singing, proved popular with many audiences. In the 1950s, the depth and scope of her many releases had alrea…
Ella and Louis found Ella Fitzgerald and Louis Armstrong accompanied by the Oscar Peterson Quartet. The studio album came out when both figures were at high points in their careers commercially. The recording sessions getting started in August 1956, the tracks specifically featured Oscar Peterson on piano, Buddy Rich on drums, Herb Ellis on guitar, and Ray Brown on bass. Seminal record producer Norman Granz masterminded the affair. Granz, who founded the record l…
Ella and Louis has picked up praise from a variety of publications. Writing for AllMusic, critic Scott Yanow stated that the two stars made "for a charming team" and provided "tasteful renditions" of the ballads chosen. The album joined the Grammy Hall of Fame by 2016.
Ella & Louis Again earned similar laudatory comments from many publications. AllMusic's Alex Henderson stated that he could find details to "nitpick", such as a possible lack of trumpetsolos …
• Bing Crosby and Louis Armstrong collaborations:
• Duke Ellington and Louis Armstrong collaborations:
• Count Basie and Frank Sinatra collaborations:
• Official Ella Fitzgerald Website
• Museum of Louis Armstrong - Official Website