Key difference: The term ‘film’ is referred to movies of an artistic or educational nature, which are not expected to have large and commercial appeal. The term ‘video’ usually means a film recorded on a video cassette. Film is a term referred to as the art of making motion pictures.
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There are many other differences between film and video and brightness range required to produce an image which is called exposure latitude is much higher in case of film than with video . In the case of film, amount of light entering the lens and falling upon the chemical surface decides the depth of colours and brightness.
The speed at which the film rolls on a movie camera is 24 frames per second.
Modern cameras, while making videos, capture 24 frames per second just like a movie camera and make it appear like a movie when played back. In contrast to the grainy structure of the photographic film, video is very clean.
In a candid definition of film is a first hand medium to register visuals in audience's mind. This may sound aesthetical definition of film. Hmm if you really want to know what is the word film is technically stand for then think the old time reel of film roll we used to use in our old time still camera. Pls see the pics of film roll. Hmm video is an another magnetic tape recording medium used to record visuals. If you want to know what is video then think of old video cassette recording vcr where a wide brown strip of magnetic tape.
When digital video came along, the feed was still put on tape, but the information was digital not analog. Nowadays the feed ends up on essentially a hard disk, which are the information sticks you insert into cameras. These are essentially the same idea as flash drives.
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Originally video was simply a live feed through a camera which was broadcast through radio waves and picked up by devices which turned the transmissions into recognizable images and sound, which we call televisions. Eventually, technology was developed to record the feed simultaneous to broadcasting, and that analog video was put on tape, similar to audio
Film is an optical depiction of an image made through photochemical processes, that can be seen and held with no outside equipment although it requires equipment to depict motion- in its line native state it is 24 still images taken in one second.
Both mediums may use identical optics to record the original image into their capture format, be it photochemical light sensitive emulsion for film or photoelectric light sensitive tubes for analog video or silicon chips for analog or digital video.
Video is an electronic data storage medium, either magnetic media in analog or digital signal storage, or solid state media with digital storage. It can only be viewed with the aid of outside equipment that use the data to create an image as represented; there is no inherent visual image in video.
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The most basic difference between the physical object of film and the physical object of a video is whether it is light-readable or you need a machine to see what’s on it. If you unwind a bit of a reel of film and hold it to a light source, you’ll see individual images (called frames). On the sides are perforations, or sprocket holes, that are there so that a projector can pull the film through and create moving images out of a succession of still pictures—kind of like a flip book you might have had as a child.
1) A film reel, more precisely, a projection print, with a close-up of the individual frames at right. This is what the Motion Picture Lab works on.
We in the Motion Picture Preservation Lab take care of those pieces of plastic, and copy them to newer, more stable pieces of plastic if necessary for preservation purposes. We also work to make the content more easily accessible, usually by digitizing the films, which creates a video file that can be uploaded to ARC or any one of the National Archives’ social media platforms. The film is what we started with, the video is what you are able to see on whatever type of screen you may be using.
If you pull out a length of video from the cassette you have in a box somewhere in your basement, not only will you have possibly ruined your video (good luck not mangling that thing when you try to wind it back into the cassette), you won’t be able to see anything except a brown strip of plastic. The video tape requires a machine in order to view it, because the visual information is an electronic signal that is recorded magnetically to a piece of tape . At the National Archives, videos are preserved across the hall from us, in the Audio-Video Preservation Lab.
The confusion, I believe, comes in the ubiquitous use of the verb “to film.” It doesn’t matter if one uses a smart phone and posts a video to one’s Facebook page or Paul Thomas Anderson shoots a commercial production like The Master on 70mm film, the action is described in the same way: it was “filmed”. The issue is further complicated when one considers that the products we see in movie theaters are generally referred to as “films”, even though a good chunk of Hollywood output (including blockbuster films like Avatar and The Hobbit) originates on high-resolution video cameras. Further, except for art houses and repertory theaters, it’s very unlikely that an actual reel of film is screened in a theater anymore . This summer, when you go to the multiplex and buy your ticket to the comic book adaptation of the week, you will be paying to see a digital projection of a file called a DCP.
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How they Work. Film uses a light-sensitive chemical surface to record all the light that enters through the lens. Still photographs are taken at the rate of 24 per second. When played back, they represent themselves as motion.
Because film is capturing all the light, however, it can produce stronger values at a greater range. That results in deep shadows and brighter highlights. This is important because our eyes use the difference in values to separate and define images both in still and in motion photography.
Video cameras capture reds, greens and blues and uses them to approximate the spectrum of colors. Film captures the greens as a green-blue, the reds as a magenta and yellow, but also captures light strength in general. According to an inSync article, some of the colors are applied during the processing. That results in a certain degree of error and ...
Cutting frames from film is cutting it apart and splicing it back together. Trimming video is simply a computer process. On the other hand, while videographers tout the ease of shooting a motion picture in video, multiple cameras are used that are all connected to networks of computers and wires.
Video also records 24 images per second, but it uses CCDs or charged coupled devices. These CCDs record the light that enters the camera and translate the information into digital data. That data is then transferred to a computer which produces the images.
This is where the subjectivity comes in. Video is referred to as a cold medium because it results in a clinical interpretation of what it records. Some people like that effect, and view it as “truth in photography.”. Others value the “mistakes” and differences that working with film produces.
Video can produce a relatively small range of values. At a certain point, the camera just goes to black or white. Because film is capturing all the light, however, it can produce stronger values at a greater range. That results in deep shadows and brighter highlights.